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Dead Island: Riptide

Video Game Review: ‘Dying Light’ Does Just Fine

Dying Light

CHICAGO – Playing “Dying Light” in co-op mode began a tale of two different gamers with two different lives and two different tastes. My co-op partner, Matt, is an Internet networking guru with a brand new Xbox One and not much to play on it beyond “#IDARB” (which is fantastic and free). He sunk his teeth into it like like an Asgardian at an all-you-can-eat buffet. He loved the open world, the graphics and the gruesomeness.

Video Game Review: ‘Dead Island: Riptide’ Pulls You In

Dead Island: Riptide

CHICAGO – Much to the chagrin of practically everyone I know, the idea of “relaxing” is a bit…underwhelming (which is probably the point). Even with the crash of the waves, warm sand, girls in bikinis, surfing, snorkeling, and the ability to re-enact those Corona beer commercials, well, not to sound ungrateful to the Barbadoses and Bermudas of the world, I’d be bored in 10 minutes. But if you give me an arcade, or a golf course, or a football, or, well, thousands of undead zombies, as is the case in “Dead Island: Riptide” suddenly we have ourselves a ball game.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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