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Down the Moonlit Path

Podcast Interview: Anna & Hannah Ii-Epstein of Nothing Without a Company’s ‘The Kid Thing’

Anna & Hannah Ii-Epstein

CHICAGO – Proving that creating vibrant theater is a methodical step-by-step process, Anna and Hannah Ii-Epstein – of Nothing Without a Company theater troupe – have taken a ten-plus year journey to their latest production, “The Kid Thing.” The show has a Thursday-Sunday run at the Berger Mansion in Chicago’s Edgewater neighborhood through April 15, 2017. Details are below. In the following podcast, they talk about the origins of the company, and how they balance couplehood with creativity, among other topics.

Theater Review: Nothing Without a Company’s ‘Punk Punk’ Rocks

Punk Punk

CHICAGO – For theater that is audaciously in-the-now and generates a sparkle of life, there are few better storefront (garage, gothic gathering place) groups than “Nothing Without a Company.” Their latest, eclectic kick-in-the-head production is the intensely diverting and weirdly fun “Punk Punk.”

Theater Review: ‘Down the Moonlit Path’ a Sensational, Interpersonal Stage Experience

CHICAGO – The power of creativity, and the risk of live theater, is all on display through Nothing Without a Company’s latest amazing journey, “Down the Moonlit Path.” The interactive stage experience refreshes the soul and realizes the joy of life.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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