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Theater Review: Nothing Without a Company’s ‘The Kid Thing’ is Fulfilling & Authentic

Kid Thing, The

CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

Theater Review: Ease on Down to Kokandy’s Sensational ‘The Wiz’

CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

Theater Review: John Michael is Really Cooking in ‘Meatball Seance’

Meatball Seance

CHICAGO – Currently, one of the best monologists in Chicago – and certainly one of the nuttiest – is John Michael. After notorious and successful runs of his last two one-man shows, “Harry Potter and the Order of the Penix” and “Dementia Me,’ Michael is taking on his dating life once again in the fun and hilarious “Meatball Seance.” The show has a Thursday night slot at Mary’s Attic in Chicago’s Andersonville neighborhood through April 6th, 2017. Click here for more details, including ticket information.

Theater Review: Collaboraction Exposes the ‘Gender Breakdown’

Gender Breakdown

CHICAGO – In a spectacular original work, the power of the theater comments upon the inequity of “types” for women performers in the theater and other media. Collaboration’s “Gender Breakdown” is a performance piece on how women are subject to many cattle calls just based on how they look, and how certain women – especially those of color and ethnicity – will not even be considered for roles that involve romance or portraying a lead protagonist, for example…even when doing scene training in college. The stories are direct and authentic, and burst from the hearts of the storytellers. It runs in Chicago through March 19th, 2017 (see link below).

Interview: Michael Sanow of ‘The Asylum’ Showcase in Chicago Through Feb. 23, 2017

Asylum, The Logo

CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.

Theater Review: Brown Paper Box Co. Dances ‘The Baltimore Waltz’

Baltimore Waltz, The

CHICAGO – During the scourge of the AIDS epidemic, at its height in the late 1980s, a playwright lost her brother to the condition. Inspired by him, Paula Vogel wrote “The Baltimore Waltz,” a story about her and her brother’s travels through Europe – and filtered through the prism of fantasy and the movies. The Brown Paper Box Company presents a re-staging of the play in Chicago through February 19th, 2017.

Theater Review: Morality of Gender Identity on Display in ‘[Trans]formation’

[Trans]formation

CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.

Theater Review: Lookingglass Theatre Co. Knows ‘Life Sucks’

Life Sucks

CHICAGO – Let’s face it, life does suck. But what can we do about that? How do we survive? Lookingglass Theatre Company’s latest stage presentation tries to answer those thorny questions through a group of fellow travelers, flung together at a cabin retreat, trying to figure out why (indeed) “Life Sucks.”

Theater News: Rich Cotovsky at Final ‘Abbie Hoffman Died for Our Sins’ Fest From Aug. 19-21, 2016

Abbie Hoffman Died for Our Sins Fest

CHICAGO – It’s 3am on Saturday night/Sunday morning on August 20th, and you’re just not ready to quit. How about indulging in the 2016 “Abbie Hoffman Died for Our Sins” Theater Festival? The three-day theater marathon is in its 28th edition, and will be sponsored for the final time by the Mary-Arrchie Theatre Company, and hosted by the “Godfather of Storefront Theater,” Rich Cotovsky. It all takes place at the Den Theatre, 1333 N. Milwaukee in Chicago (details below).

Interview: John Michael is the One-Man Show in ‘Dementia Me’

CHICAGO – No one would call talented one-man-show artist John Michael conventional, at least if they are in their right mind. So ironically, after tackling sexually transmitted disease in his last solo performance, he takes on the vagrancies of old age and caring for elderly patients in his truly heartfelt “Dementia Me.”

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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