CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – The relish that Matthew McConaughey displays in creating his latest character in “Gold,” a Willy Loman-type mining exec who is looking for his biggest score, is most of the reason to experience the film. However, there isn’t exactly a motherlode when it comes to the story.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 25 pairs of advance-screening movie passes up for grabs to the new film “Gold” starring Matthew McConaughey!
HollywoodChicago.com Hookup: 25 Pairs of Passes to ‘Hands of Stone’ With Edgar Ramírez, Robert De NiroSubmitted by HollywoodChicago.com on August 18, 2016 - 11:08pm
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 25 pairs of advance-screening movie passes up for grabs to the new boxing drama “Hands of Stone” starring Edgar Ramírez and Robert De Niro!
CHICAGO – “Deliver Us from Evil” is director Scott Derrickson’s second foray into possession horror. His first, the excellent “The Exorcism of Emily Rose,” was taut, thoughtful and offered some truly unsettling demon scares.
CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.
CHICAGO – Not all movies are similar in what they demand of the viewer. Obviously, a light mainstream romantic comedy requires a different level of commitment than a French period piece, but even art movies have varying degrees of viewer requirements. Even within the Criterion Collections, there are shorter, easier films and then there are releases like “Carlos,” a stellar epic that runs close to six hours and is accompanied by extensive, elaborate special features.