Film Review

Joe Swanberg had quite a year. In the same summer, he appeared in the horror hit “You’re Next” and saw his most high-profile success in the excellent “Drinking Buddies” with Olivia Wilde, Jake Johnson, and Anna Kendrick. The year ended with the announcement that his next feature, “Happy Christmas,” starring Kendrick & Lena Dunham, will play in competition at the 2014 Sundance Film Festival.

Comedy sequels are SO rarely worthwhile. Most good comedy is dependent on being fresh, new, and unpredictable – words not commonly uses to describe sequels. For every “Wayne’s World 2,” there are a dozen films of the caliber of “Ghostbusters 2,” “Arthur 2,” and “Caddyshack II” – movies that are so bad that they almost diminish the legacy of their predecessors.

Peter Jackson and Bilbo Baggins find their groove in the entertaining “The Hobbit: The Desolation of Smaug,” an improvement over “An Unexpected Journey” in every single department.

As career con man Irving Rosenfeld (Christian Bale) introduces newly-undercover FBI agent Richie DiMaso (Bradley Cooper) to his world of criminal enterprise, he shows him a Rembrandt painting in a museum, revealing that it’s a fake. Millions of people have seen and admired it, not realizing that it’s not the original. Does it matter if they get the same artistic enjoyment out of it?

One overriding thought dominated my time with Scott Cooper’s stunningly disappointing “Out of the Furnace” – I just don’t care. When I wasn’t picking apart the gigantic plot holes in the narrative, I was marveling at the overheated characters who have been crafted from cliché instead of the real world.

Rating: 3.0/5.0

Winner of both the Grand Jury Prize in Documentary and Audience Award at Sundance 2013, Blood Brother is a film about a great Pittsburgh guy by the name of Rocky, who left America to create a new life in India. Over the course of three years, he became a rock star at a shelter for children with AIDS, caring for them in all manners, and creating strong relationships with them.

Eric England’s “Contracted” has the potential to turn into a truly disturbing slice of bodily horror a la some of David Cronenberg’s best work. The tale of a lesbian woman who literally starts falling apart after a sexual encounter at a party could have been a commentary on sexuality, a riff on our national obsession with looking perfect, a cautionary tale about drinking, or even just a twisted slice of grotesque horror.

After years in development hell, Spike Lee’s remake of Park Chan-wook’s beloved “Oldboy” is finally here. Does it live up to the high expectations set by the original?

Disney’s marvelous “Frozen” fits snugly in the lineage of princess stories that the studio has been crafting for decades while also looks forward to empower girls in ways that its predecessors never considered. It is a remarkably fun movie, especially in 3D, alive in ways that so many of its peers in this lackluster year for animation simply are not.

A woman who works at a massage parlor/sauna is beaten with money by a man who demands she service him as a prostitute. A coal miner goes through life stunned that the villagers around him pay honor to a man who has given nothing back to them. A young worker is injured on the job and given nothing in compensation because he happened to be making “small talk” at the time.