CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
Fox Searchlight Pictures
CHICAGO – Actor David Oyelowo is very familiar with portraying a man of consequence put into a difficult leadership role. In 2014, he took on the role of Dr. Martin Luther King Jr. in “Selma.” Currently, he is in theaters with “A United Kingdom,” which tells the story of an African prince who led his country to a new mindset in the 1950s.
CHICAGO – Capturing one of the most familiar woman of the last fifty years would seem impossible, except when focusing on one of the defining moments of her life. “Jackie” reveals Jacqueline Kennedy during the time of her husband John’s assassination, and when the nation lost a president.
CHICAGO – “The Birth of a Nation” has been making news since it premiered at the Sundance Film Festival early this year. Taking place before the American Civil War, this incendiary look at a real slave rebellion in the deep South does pack a punch, but its approach isn’t completely successful.
CHICAGO – As far as TV shows that fans wish could be movies, the cult hit “Absolutely Fabulous” was high on the list. The adventures of Patsy and Edina, two middle age Brits with an appetite for self medication, has had a dedicated following since it premiered in 1992. Even though there were six full TV seasons, and various reunions, “Absolutely Fabulous: The Movie” has emerged.
CHICAGO – The attempt to make a European-style “journey of emotional morality” between four characters in New York City kept getting flatter and flatter as the tale emerged. It’s amusing that they called it “Demolition,” because as cinema, it’s basically a teardown.
CHICAGO – When a film tries to be philosophical, it easily can devolve into heavy handedness. But the exception is the latest from writer/director Paolo Sorrentino, the richly presented “Youth.” It treads upon many definitions of the title, and lands upon all of them, because that’s life.
CHICAGO – “Mistress America” is a movie that works best in small doses. The film is chock-full of special moments, lines, and fragments of scenes, but it never really comes together as a cohesive film. I could see it easily taking on a second life once it hits streaming and YouTube.
CHICAGO – Greta Gerwig’s persona as a character actress has blossomed in the last three years, as she has taken on three women in their twenties at the crossroads of life, in that life decade of consequence. In addition to her title roles in “Lola Versus” and “Francis Ha,” her latest is “Mistress America,” which she also co-wrote.
CHICAGO – There are feelings encoded in a film, imparted by the creators, which sometimes takes a while to become apparent. “Me and Earl and the Dying Girl” is an example, with a deceptive surface story that contains an ocean of feelings and emotions within its passionate core.
CHICAGO – In my second meeting with director Alfonso Gomez-Rejon, I was struck by his almost child-like wonder regarding his breakout film, “Me and Earl and the Dying Girl.” Gomez-Rejon bleeds celluloid, and loves films in every fiber of his being. To be able to contribute to the cinema universe is his greatest reward.