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Frances McDormand

Film News: ‘The Shape of Water’ Wins 2018 Oscar Best Picture

CHICAGO – Even though Warren Beatty and Faye Dunaway appeared once again to present the Best Picture at the 90th Academy Awards – as they did last year – the correct film was announced, and it was the romantic fantasy “The Shape of Water” that won the 2018 Best Picture on March 4, 2018.

Feature: HollywoodChicago.com’s Overrated & Worst Films of 2017

CHICAGO – Opinions are like certain orifices, everybody has one. The contributors to HollywoodChicago.com – Patrick McDonald, Jon Lennon Espino and Spike Walters – are no strangers to opinions on the film scene, so why not offer judgement on the most overrated and worst films of the year 2017.

Film Review: ‘Three Billboards Outside Ebbing, Missouri’ Examines Our Violence

CHICAGO - Film is often an expression of our society, either as a depiction of how it really is or how it should be. Few films are as daring as Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri,” which isn’t afraid to show us the state of our society and offer a realistic solution through a grim drama that is as humorous as it is devastating.

Film Review: ‘Hail, Caesar!’ is Coen Bros. Excellence for Movie Lovers

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

Film Review: ‘The Good Dinosaur’ is Pixar Studio’s Most Ordinary Film

Good Dinosaur, The

CHICAGO – The animation in Pixar Studio’s latest feature ,“The Good Dinosaur,” is nothing short of extraordinary. At times throughout the film, the images looked like they came right out of National Geographic, and I truly couldn’t believe i was watching animation. However, this delightful animation is in service to an undistinguished prehistoric buddy comedy that wouldn’t be out of place in an episode of “The Flintstones.”

Blu-ray Review: ‘Promised Land’ Leaves Potential of Premise Unrealized

Promised Land Blu-ray

CHICAGO – When a film promises to tackle a timely topic like fracking, it has raised the bar of expectations considerably. Sure, the filmmakers don’t need to take a stand on the issues they raise, but they have an obligation to explore them with some level of depth or insight. Otherwise, they risk getting charged with committing a “bait and switch,” and that’s precisely what Gus Van Sant’s “Promised Land” does.

Film Review: Gus Van Sant’s ‘Promised Land’ Breaks Promise to Audiences

CHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.”

HollywoodChicago.com Hookup: 40 Pairs of Passes to ‘Promised Land’ With Matt Damon

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of movie passes up for grabs to the advance screening of “Promised Land” with Matt Damon from “Good Will Hunting” director Gus Van Sant!

Film Review: Strange, Beguiling Sean Penn in ‘This Must Be the Place’

CHICAGO – Sean Penn picks his roles carefully, and famously said he didn’t know what the story meant in “Tree of Life.” His attachment to “This Must Be the Place” continues the vague journey through movieland, as he plays a bizarre and aging rock star whose life is about to get interesting.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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