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George C. Scott

Blu-ray Review: Criterion Edition of James Stewart’s ‘Anatomy of a Murder’

Anatomy of a Murder

CHICAGO – Otto Preminger’s “Anatomy of a Murder” is a film that certainly still entertains modern audiences but should best be considered in light of when it came out in theaters. In 1959, courtroom dramas weren’t nearly as prevalent as they are in the era of “Law & Order” and discussions of rape and murder were not yet common in film. It may be hard for young audiences to believe but this spectacular film truly pushed the envelope of what could be done in a film like it and creatively succeeded in every way.

Blu-Ray Review: Paul Newman, John Wayne Classics For Father’s Day

The Hustler

CHICAGO – Two of cinema’s most iconic actors appeared on Blu-ray new release shelves this week with excellent HD transfers and hours of special features for 50th Anniversary Editions of Paul Newman’s “The Hustler” and John Wayne’s “The Comancheros.” History has well-documented that the Newman is one of the best films from one of the form’s best actors. The Wayne film may have a more niche audience but they’re surely be satisfied with a very solid release.

Blu-Ray Review: Stanley Kubrick’s ‘Dr. Strangelove’ Still Resonates

Dr. Strangelove

CHICAGO – Stanley Kubrick’s “Dr. Strangelove Or: How I Learned to Stop Worrying And Love the Bomb” is nearly as important a film today as when it was released, over 45 years ago. The Anniversary Special Edition of the comedy classic is now available on Blu-Ray and it’s a must-own for any true film historian.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Bad Words

    Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

  • Winter's Tale

    The theatrical poster for “Winter’s Tale,” after promising that “It’s not a true story, it’s a love story,” made a large demand from its viewers at the bottom: “This Valentine’s Day, Believe In Miracles.” While there is indeed a difference between filmmaking and marketing, it is hard to not imagine writer/director Akiva Goldsman whispering “believe in miracles” into the ear of every executive who helped “Winter’s Tale” come to life, immediately after throwing glitter on them.

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