Hell or High Water

Podtalk: Executive Producers Rachel Shane & Adrian Alperovich on the Making of ’21 Bridges’

21 Bridges

CHICAGO – How does a movie company put together a major release like “21 Bridges”? The behind-the-scenes mechanics are handled through various companies, and one of them is MWM Studios. Two Executive Producers from MWM and the film are Rachel Shane and Adrian Alperovich, and they talked to HollywoodChicago.com about the business of show business and their backgrounds in film and TV.

DAY FIVE Podtalk: Producer Gigi Pritzker at the 55th Chicago International Film Festival

Gigi Pritzker, Photo by Joe Arce

CHICAGO – Another member of the notable Pritzker family has been making a name, in this instance the film business. Gigi Pritzker is a veteran producer who has guided films like “Drive,” “The Way Way Back” and “Hell or High Water.” She walked the Red Carpet on Opening Night (October 16th, 2019) of the 55th Chicago International Film Festival for her new film as producer, “Motherless Brooklyn.”

Film Review: Story in ‘Wind River’ Gets Scattered in the Breeze

CHICAGO – Writer/Director Taylor Sheridan is a deep thinker regarding humanity in these United States. In the third film of his “American Frontier Trilogy” – after “Sicario” and “Hell or High Water” – he goes to the Wyoming Native American reservation, for a unwieldy story titled “Wind River.”

Film News: ‘La La Land’ Gets Record 14 Oscar Nominations for 2017

CHICAGO – The film musical “La La Land” received 14 nominations (including Best Picture), tying a record, as all nominees were announced for the 89th Academy Awards on January 24th, 2017. The rest of the Best Pictures nominees were “Arrival,” “Fences,” “Hacksaw Ridge,” “Hell or High Water,” “Hidden Figures,’ “Lion,” “Manchester by the Sea” and “Moonlight.”

Film Feature: The 10 Best Films of 2016, By Patrick McDonald

CHICAGO – It’s that time of the film year, the “Ten Best” lists. In representing my 2016 picks – as “Patrick McDonald” – I looked for the emotional experience as much as anything. I think every filmgoer, from the most casual to the ardent buff, adhere to their favorites through that feeling of connection.

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