CHICAGO – When two brothers confront the sins of each other and it expands into a psychology of an entire race, it’s at a stage play found in Chicago’s Invictus Theatre Company production of “Topdog/Underdog,” now at their new home at the Windy City Playhouse through March 31st, 2024. Click TD/UD for tickets/info.
Inferno
Film Review: ‘Inferno’ Was Damned From The Start
Submitted by JonHC on October 28, 2016 - 12:39pmCHICAGO – You can’t keep a good conspiracy down. Tom Hanks returns to a role we thought had joined the pages of history his character was so eager to uncover. Like the previous films in the franchise, “Inferno” promises to deliver a new problem to solve even though they never attempt to fix any of the cinematic and narrative flaws from its past.
Blu-Ray Review: Dario Argento Classics ‘Deep Red,’ ‘Cat O’ Nine Tails’
Submitted by BrianTT on May 18, 2011 - 9:28pmCHICAGO – Every once in awhile there’s a relatively smaller studio that just does right by genre fans. It was Anchor Bay for a few years. Now it’s Blue Underground, who have been quietly releasing some horror classics. Two of their best releases hit this week and then again on May 31st in a pair of Dario Argento gems, “Deep Red” and “The Cat O’ Nine Tails.” If you call yourself a horror fan, you should own them both.
Blu-Ray Review: Dario Argento’s ‘Inferno’ Deserves Another Look
Submitted by BrianTT on April 8, 2011 - 11:40amCHICAGO – If you think studios are fickle now and that the foreign film market is weird, you should know that it’s been that way for a very long time. Take the case of “Inferno,” Dario Argento’s follow-up to his breakthrough film “Suspiria.” Instead of giving it the wide release and support it deserved, the film was buried, barely released theatrically even in New York.
Film Feature: ‘Monsieur Noir: Henri-Georges Clouzot’ Thrills at Siskel Film Center
Submitted by BrianTT on September 14, 2010 - 10:07amCHICAGO – What truly defines a master of suspense? Is it the skill of keeping an audience’s attention rapt with slick pacing, elaborately designed set-pieces, and a whopper of a twist ending? Or is it simply the ability to viscerally convey the psychological trap of a character until the audience feels confined within it, and every onscreen gasp, scream and shiver becomes the viewer’s own?