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Film Review: Zen and the Art of Cinema in ‘24 Frames’

24 Frames

CHICAGO – The legendary Iranian filmmaker Abbas Kiarostami (“Certified Copy”) passed away in 2016, but he left one more meditation on cinema and illusion, in the artistic “24 Frames.” Yes, it refers to the number of still photos that make up a second of film, but in this case it is also Kiarostami’s observations of stillness in motion.

Film Review: Gunplay & Violence Fuel Heroics in ‘American Assassin’

American Assassin

CHICAGO – There was another mass shooting (eight dead) in Texas this week, but it was underreported because it didn’t involve “undesirables” and just seemed like another week in America. This blithe attitude towards guns, gunplay and violence continues in the movies, this week with the overindulgent release “American Assassin.”

Interview: Director Richard Raymond on the Passion of ‘Desert Dancer’

CHICAGO – What does anyone understand about regimes outside their political or moral universe? The setting is Iran, the time is during their controversial 2009 elections and the medium is dance as expression. Combining those elements was the challenge for director Richard Raymond, in his debut film “Desert Dancer.”

Interview: The Story of Maziar Bahari in Jon Stewart’s ‘Rosewater’

CHICAGO – Journalists are under fire, both in the hot zones of the world’s conflicts, and within the economics of the shrinking news business. One journalist – Maziar Bahari – became part of the drama in the 2009 Iranian presidential elections, and that story is told in writer/director Jon Stewart’s new film, “Rosewater.”

Film Review: Problems in Iran Prove Universal in ‘A Separation’

A Separation

CHICAGO – Divorce, aging parents, economics, religion and social standing can be applied to any circumstance in any modern culture. The culture in Iran may seem mysterious, but there is nothing uncommon regarding what their people go through in the Oscar nominated “A Separation.”

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