HollywoodChicago.com RSS   Facebook   HollywoodChicago.com on Twitter   Free Giveaway E-mail   

It Comes at Night

Film Feature: Best & Worst of 2017 So Far by HollywoodChicago.com

CHICAGO – The 4th of July holiday is over and the second half of the year looms before us, so what better time than to assess 2017 so far, with the best and worst films of the first half of the year. The film critic contributors of HollywoodChicago.com – Patrick McDonald, Jon Espino and Spike Walters – offer up their choices for BEST and WORST.

Film Review: ‘It Comes at Night’ is a Terror-Filled, Nightmarish Delight

CHICAGO – Good horror films are difficult to find. Last year, we got the extremely satisfying horror film, “The Witch,” with breakout star Charlie the goat, AKA Black Phillip. Horror films that aren’t franchised cliches are hard to come by, but “It Comes at Night” delivers. The entire atmosphere is mysterious and foreboding. We go into this film blind as if we were stumbling through a forest at night. That is where we find the terrors, and ourselves.

Interview, Audio: Trey Edward Shults Directs ‘It Comes at Night’

CHICAGO – In 2016, a new filmmaker voice made its way into the scene, and it was significant. Trey Edward Shults released his debut film “Krisha,” a shattering story of addiction and its effect on family. The film got him a deal with the distributor/producer A24, and his sophomore effort – the horror/thriller “It Comes at Night” – will be released on June 9th, 2017.

Syndicate content

User Login

Free Giveaway Mailing


  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


HollywoodChicago.com on Twitter


HollywoodChicago.com Top Ten Discussions