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Jason Bateman

Film Review: Jason Bateman & Rachel McAdams Score on ‘Game Night’

CHICAGO – A game cast elevates what is otherwise a bit of a ho hum affair in the action comedy “Game Night.” Jason Bateman and Rachel McAdams are a middle class couple hosting weekly game nights with a group of good friends. But when Bateman’s competitive venture capitalist older brother Brooks (Kyle Chandler) comes to town, he promises to take game night up a notch.

Film Review: ‘Office Christmas Party’ is Just Ho-Hum Humbug

CHICAGO – “Office Christmas Party” summons up a few jolly ho-ho-ho’s, but can’t quite deliver even one decent belly laugh you’d expect, considering the talented cast chock full of funny folks. It’s halfway decent premise is drowned in a sea of unfulfilled potential and weak material that the ensemble can only do so much to save.

Interview: Co-Directors Josh Gordon & Will Speck Invite All to ‘Office Christmas Party’

CHICAGO – The raucous party movie has become a reliable staple in movieland, and now a production tackles the holiday soiré, and all that can go wrong. “Office Christmas Party” is co-directed by Josh Gordon and Will Speck, who also gave us “Blades of Glory” and “The Switch.”

Film Review: ‘Zootopia’ is an Odd But Endearing Disney Animated Film

CHICAGO – Walt Disney Studio’s latest animated extravaganza is best viewed as a child’s introduction to the buddy cop movie, since you can’t exactly start a toddler on “Midnight Run” or “Lethal Weapon 2.” But in this case it’s a bunny cop movie.

Film Review: Joel Edgerton’s Directorial Debut ‘The Gift’ Shows Psychological Thriller Promise

CHICAGO – Of the various genres of films, the psychological thriller is one of my holy grails. A story that highlights the psychology of its characters and their wobbly emotional states, few modern filmmakers dare to compete with the masterminds – Alfred Hitchcock, Stanley Kubrick, David Lynch and more recently David Fincher and Darren Aronofsky – or fail when trying to.

Film Review: Unoriginal, Unfunny ‘This is Where I Leave You’ a Poor Man’s ‘August: Osage County’

CHICAGO – Jason Bateman and an all-star cast got me there. The unfunny copycat story left me regretting it. If you don’t start with a solid plot that’s at least somewhat new, it doesn’t matter how many “A”-listers you throw into an ensemble. They’re just individuals doing the best they can with weak material.

Blu-ray Review: Jason Bateman’s ‘Bad Words’ Not Better on Blu-ray

Bad Words

Looming over “Bad Words” is the potential it could have had, as is, were it released ten years ago. With its focus of R-rated behavior poking at the projected innocence of children, along with the couple of chromosomes that keep Bateman’s Trilby from being a Vince Vaughn character, this movie is certainly a product of the comedies that have sculpted out the manchild story in the past decade.

Film Review: Cussing Doesn’t Spell Out Comedy in ‘Bad Words’

CHICAGO – In his directorial debut “Bad Words”, Jason Bateman plays Guy Trilby, a foulmouthed 40 year old man who aggressively competes in local youth spelling bees. The children are confused, and their parents are furious. However, the isolated Guy has no fear, with all of the rule loopholes in his back pocket.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • ThroatPunch

    CHICAGO – The provocative title of Nothing Without a Company’s new world premiere stage play, “ThroatPunch,” does not contain that particular fight technique. But it does have standout performances by the three person cast, as they make their way in Chicago, circa 1983, amid their emerging twentysomething punk rock attitude. The show has a Thursday-Sunday run at the Chicago Mosaic School through June 3rd, 2018. Click here for more details, including ticket information.

  • Jesus Christ Superstar, Lyric Opera

    CHICAGO – As a wee lad, I would often go into my parent’s record collection. One day, out of the blue, that brown double album with the gold embossed angels appeared, like a gift from the divine. “Jesus Christ Superstar” began as a record album “rock opera” in 1970, evolved to a Broadway show and film, and then was interpreted through a myriad of stage revivals over the years. The latest is an exciting piece of stagecraft at the Lyric Opera of Chicago. The show has a various evening/matinee run through May 20th, 2018. Click here for more details, including ticket information.

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