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Jason Schwartzman

Film Review: Blissful ‘My Entire High School Sinking Into the Sea’

CHICAGO – In animation, the real innovators who evolve the artform are the risk takers who stamp their own inspiration on those cartoon images. Director Dash Shaw is one of those breakthroughs, who creates a work of anarchistic art in “My Entire High School Sinking Into the Sea.”

Interview: Adam Scott Wants Everyone There For ‘The Overnight’

CHICAGO – Adam Scott has become familiar to audiences through his five year run as Ben Wyatt on TV’s “Parks and Recreation,” but he is also creating a presence on the big screen, with various supporting roles in big films (“The Secret Life of Walter Mitty”) and his latest comedy, “The Overnight.”

Interviews: Two More Filmmakers at 2015 Chicago Critics Film Festival

James Ponsoldt, photo by Joe Arce

CHICAGO – The showcase and respect given to filmmakers at the recently completed 2015 Chicago Critics Film Festival (CCFF) meant that the top directors made appearances on behalf of their featured films. James Ponsoldt of “The End of the Tour” and Patrick Brice of “The Overnight” are two prime artists at the top of their game.

Film Review: ‘Big Eyes’ Too Conventional to Generate Any Interest

Big Eyes

CHICAGO – What’s up with Tim Burton? His style is hardly present in the straightforward story of artists Margaret and Walter Keane, locked in a battle of creation over “Big Eyes” child paintings. There is nothing revelatory or even interesting in the process of their struggle of who-painted-what, maybe perhaps Burton – a collector of the art – wants to increase their value?

Interview: Jason Schwartzman Hears All in ‘Listen Up Philip’

CHICAGO – Jason Schwartzman likes to portray writers – he was one in his HBO series “Bored to Death” – and he portrays one in his latest film, “Listen Up Philip.” He also has played many characters in director Wes Anderson’s universe, and did a fantastic turn as composer Richard M. Sherman in last year’s “Saving Mr. Banks.”

Film Review: ‘The Grand Budapest Hotel’ is Built by Wes Anderson

CHICAGO – The distinct and strangely alluring style of director Wes Anderson is on opulent display in “The Grand Budapest Hotel.” In what is an eccentric, European style fairy tale, Anderson creates a legend that is forged in his signature, along with the performances of a brilliant cast.

Film Review: Celebration of Creation in Warm ‘Saving Mr. Banks’

CHICAGO – The world of creation, and the imagination behind it, gets an honorable and elegantly performed treatment in the fascinating “Saving Mr. Banks.” What seems like a “making of” film about the legendary “Mary Poppins,” becomes much more rich in symbolism and consideration.

HollywoodChicago.com Hookup: 100 Pairs of Tix to ‘Mary Poppins’ Backstory ‘Saving Mr. Banks’

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 100 pairs of advance-screening tix up for grabs to the “Mary Poppins” backstory “Saving Mr. Banks” with Emma Thompson and Tom Hanks!

Film Review: Charlie Sheen Opens Up in ‘A Glimpse Inside the Mind of Charles Swan III’

A Glimpse Inside the Mind of Charles Swan III
HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Roman Coppola, Oscar-nominated as you read this for his great work co-writing “Moonrise Kingdom” (he also co-wrote “The Darjeeling Limited” with Wes Anderson) brings us the truly odd “A Glimpse Inside the Mind of Charles Swan III,” now available On Demand and opening this Friday in Chicago. The film proves two things – that Charlie Sheen is a better actor than his public persona and stint on “Two and a Half Men” may have led you to believe and that he needs to find a character to prove that instead of this riff on his real-life drama.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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