Jennifer Ehle

Film Review: ‘Vox Lux’ is a Visually Stark Metaphor for a Lost Cause

CHICAGO – In the frozen emotional landscape of America, where mass shootings have become as regular as the sunrise, what better symbol for this madness is there than a pop star? Natalie Portman is that singer in “Vox Lux,” a victim and a perpetrator in the sin of mass death, and the soundtrack of gunfire.

Film Review: Excellent ‘Little Men’ Exposes Humanity Disrupted

CHICAGO – Deep down, because of our profound connection to what makes us human, we attempt to interpret the doing of the right thing. But in a society of property, somebody lives on it and somebody is run off it. This theme, combined with an adolescent friendship, emerge in “Little Men.”

Interview: Director Ira Sachs on Modern Life Issues Explored in ‘Little Men’

Ira Sachs, photo by Joe Arce

CHICAGO – When meeting an interview subject for the third time, and remembering him as the first professional interview I ever did, results in a comfortable familiarity. Director Ira Sachs is the subject, and his latest film is “Little Men.” Taking on adolescent friendship, adult passive-aggressiveness and gentrification all in one film, it also spotlights the expansiveness of this talented filmmaker.

Film Review: Beneath its Curious Surface, ‘Fifty Shades of Grey’ a Dangerous Menace to Society

CHICAGO – Strike one of far too many: “Fifty Shades of Grey” author Erika Leonard (better known as E.L. James) has never lived the BDSM lifestyle. And therefore, nor should she be writing about, romanticizing and profiteering on it. On a $40 million budget, the film earned $30.2 million on its opening Friday and is on track for a record-breaking international weekend grab of $158 million.

HollywoodChicago.com Hookup: 30 Pairs of Passes to ‘Black or White’ With Kevin Costner

CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 30 pairs of advance-screening movie passes up for grabs to the new film “Black or White” starring Kevin Costner, Octavia Spencer, Anthony Mackie and introducing Jillian Estell!

Film Review: ‘RoboCop’ Reboot Lacks Fun Factor, Fearful Villain

CHICAGO – You get the sense that a writer for the new “RoboCop” felt very proud of himself when he coined the cheeky word “robophobic” as a play on a current cultural hot button. The Samuel L. Jackson moment of self-fulfilled glory reminded me of the rest of the plot that was missing.

Film Review: ‘Zero Dark Thirty’ Turns CIA Procedural Into Riveting Thriller

CHICAGO – Kathryn Bigelow opens her stunning “Zero Dark Thirty” with a date and a series of voice mail recordings. The date is, of course, September 11, 2001 and the recordings are the ghosts of the people who died that day, perfectly setting the stakes for the story to come – the hunt for and capture of Osama Bin Laden.

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