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Jill Scott

Film Review: James Brown Bio ‘Get On Up’ Stuck in a Funk

Get On Up

CHICAGO – “Get On Up” contains one dynamite performance trapped in a frustratingly mediocre movie. James Brown’s life and music offer a wealth of material to work with, that doesn’t necessarily adhere to the conventions of a formulaic musical biopic.

Film Review: ‘Baggage Claim’ is Equivalent of a Crash Landing

CHICAGO – Experiencing an unfunny comedy is one of the most painful time wasters in the movie going adventure – not only will that time never come back, but wanting to laugh when no motivation for hilarity is produced is like having eternal hiccups. “Baggage Claim” (hic) is (hic) that (hic) sort of movie.

Blu-Ray Review: ‘Tyler Perry’s Why Did I Get Married Too?’

Why Did I Get Married Too?

CHICAGO – Tyler Perry’s films have been steadily improving but the ones that work still rely heavily on their leading ladies – for example, Taraji P. Henson in “I Can Do Bad All By Myself” and Angela Bassett in “Meet the Browns.” The quartet of women in “Why Did I Get Married Too?” can’t elevate the substandard writing and cheap cliche in the same way and the dramedy ends up one of Perry’s worst in years.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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