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John Cameron Mitchell

Film Review: Blissful ‘My Entire High School Sinking Into the Sea’

CHICAGO – In animation, the real innovators who evolve the artform are the risk takers who stamp their own inspiration on those cartoon images. Director Dash Shaw is one of those breakthroughs, who creates a work of anarchistic art in “My Entire High School Sinking Into the Sea.”

Blu-Ray Review: Raw Emotion of ‘Rabbit Hole’ Separates it From Standard Melodrama

Rabbit Hole

CHICAGO – We weren’t kind enough to “Rabbit Hole.” Sometimes it takes years to realize when a film has fallen under the critical radar. Sometimes it’s only a few months. With the press assault for films like “Black Swan,” “True Grit,” and “The King’s Speech,” one of the absolute best films of 2010 fell under the radar.

Interview: Miles Teller Discusses His Trip Down the ‘Rabbit Hole’

CHICAGO – Miles Teller was star-struck. He had just landed his first film role, and found himself on a set surrounded by some of the biggest actors in Hollywood. Many of his scenes took place on a park bench, where he had tearful and poignant conversations with co-star Nicole Kidman.

Film Review: Nicole Kidman, Aaron Eckhart Avoid Melodrama in Moving ‘Rabbit Hole’

Rabbit Hole
HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – John Cameron Mitchell’s “Rabbit Hole” tells a story not uncommon to cinema in its exploration of the emotional minefield that comes after the loss of a child but it does so with such restraint and humanity that it sets itself apart. With some of the best performances of the year from Nicole Kidman, Aaron Eckhart, and Dianne Wiest, this is one of the strongest dramas of the awards season.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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