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Kaya Scodelario

Film Review: ‘Maze Runner: The Death Cure’ Has Run Out of Life

CHICAGO – The third part of the “Maze Runner” trilogy is called “The Death Cure,” and that cure best describes the faint pulse of this run-out-of-steam dystopia aimed at “young adults.” It is mostly warring and not much more, except for a stab (literally) at misplaced emotion.

Film Review: Johnny Depp Stays Afloat in ‘Pirates of the Caribbean: Dead Men Tell No Tales’

CHICAGO – The “Pirates Of The Caribbean” series has undergone a strange transformation over five films. The first film was better than any movie “based on a theme park ride” then it had any business being. But now in its fifth film voyage, “Dead Men Tell No Tales” bears a closer resemblance to the ride now more that ever.

Film Review: ‘The Maze Runner’ a Cut Above Teenage Dystopia Genre

CHICAGO – Yes, the future world of teenage bleakness, so popular in “The Hunger Games” and “Divergent,” now has its own genre. “The Maze Runner” is an excellent entry, and gets over its stilted dialogue and scary monsters by adding in surprises and atmospheric mystery.

Interview: Young Actors Seek Their Reward in ‘The Maze Runner’

CHICAGO – What is wrong with our future? The Young Adult category of future fiction seems to think we’re all doomed, what with “The Hunger Games,” “Divergent” and now “The Maze Runner” film adaptations. The latest “Maze” take is pretty darn good, though, thanks to actors Dylan O’Brien, Kaya Scodelario and Will Poulter.

Film Review: Arnold Finds New Way to Capture ‘Wuthering Heights’

CHICAGO – Andrea Arnold continues to make the case that she’s one of the world’s most interesting filmmakers with the unexpected creative success of her adaptation of “Wuthering Heights,” a story that may not at first seem to fit in her narrative framework but proves to be a perfect choice for this multi-talented filmmaker.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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