CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
LA LA Land
CHICAGO – And the winner was… a wild and bizarre ending to the 89th Academy Awards, as Best Picture presenters Warren Beatty and Faye Dunaway were given a wrong envelope, resulting in a call of “La La Land” as top movie, but after an on-stage melee, it was further revealed that the Best Picture was actually “Moonlight.”
CHICAGO –To quote the sublime Bruce Springsteen, it’s just “talk, talk, talk ‘til you lose your patience.” Well, that ain’t HollywoodChicago.com’s Patrick McDonald, who throws down the über-interview on a series of movers, shakers and magical filmmakers. Oscar Day is perfect for the Top 20 talks of 2016.
CHICAGO – For the second year in a row, Comcast, ABC-TV and the Academy of Motion Picture Arts & Sciences are partnering up for an “immersive” TV experience on The Oscars telecast. This year’s The Oscars experience will include more than 1500 hours of extra content, as well as live streams of backstage activity and the red carpet, interactive voice commands and enhanced extras – all on TV with Xfinity X1.
CHICAGO – When is comes to Academy Award predictions, HollywoodChicago.com is second to none. That’s right, nobody does it better, even the approximately 100 million other outlets predicting the Big Night awards. HC film critics Patrick McDonald, Michael “Spike” Walters and Jon Lennon Espino “correctly” predict the major categories.
Film News: Gene Siskel Film Center to Honor Four Filmmakers at ‘Hollywood on State’ on Feb. 26, 2017Submitted by PatrickMcD on February 24, 2017 - 5:42pm
CHICAGO – As Chicago evolves as a film town, so do its parties. The annual “Hollywood on State” gathering, put together by the Gene Siskel Film Center, is enhancing their Oscar watching event by honoring four prominent and emerging Chicago filmmakers – Lonnie Edwards, Lori Felker, Jennifer Reeder and Michael Smith. For more details, and to be a part of the magical evening, click here.
CHICAGO – The photograph of the 2016 movie year is undoubtedbly the iconic shot of Emma Stone and Ryan Gosling, caught in mid dance, in the musical “La La Land.” The film received 14 nominations for this Sunday’s Academy Awards ceremony (Feb. 26th), and the “Unit Still Photographer” who got the shot was Dale Robinette.
CHICAGO – The film musical “La La Land” received 14 nominations (including Best Picture), tying a record, as all nominees were announced for the 89th Academy Awards on January 24th, 2017. The rest of the Best Pictures nominees were “Arrival,” “Fences,” “Hacksaw Ridge,” “Hell or High Water,” “Hidden Figures,’ “Lion,” “Manchester by the Sea” and “Moonlight.”
CHICAGO – It was a musical-oriented, high octane night at the 74th Golden Globe Awards on January 8th, 2017. Hosted by Jimmy Fallon of NBC-TV’s “The Tonight Show,” the Globes celebrated the best in TV and film in 2016, and selected Best Pictures “La La Land” (Comedy/Musical) and “Moonlight” (Drama), and honored the Best TV Shows with “Atlanta” (Comedy, FX) and “The Crown” (Drama, Netflix).
CHICAGO – The poignant identity film “Moonlight” was named the 2016 Best Picture by the Chicago Film Critics Association (CFCA), in an announcement on December 15th. The film also took home the Best Director (Barry Jenkins) and Best Supporting Actor (Mahershala Ali) honors. “Manchester by the Sea” got the most honors, with four, from a voting survey of the CFCA.
CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.