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Liam Neeson

Film Review: Cautionary ‘Mark Felt: The Man Who Brought Down the White House’

Mark Felt

CHICAGO – Everything old is new again, in the 1970s story of the infamous “Deep Throat” – the source in the FBI who tipped off the Washington Post about the issues surrounding Watergate scandal – who revealed himself in 2005. He is now the subject of a new film, and is portrayed by Liam Neeson, in “Mark Felt: The Man Who Brought Down the White House.”

Film Review: ‘Silence’ is an Overwrought View of Religious Faith

CHICAGO – For gosh sakes, someone call the Vatican and make Marty Scorsese an honorary priest. He is overtly fascinated – in this work and his other films – with the notion of religious faith, particular within his Catholic roots. He approaches the subject again in the intense “Silence.”

Film Review: Fantasy & Feelings Comingle in ‘A Monster Calls’

Monster Calls, A

CHICAGO – The nature of dying, especially in process with a close loved one, is a testing ground for unwieldy and alien emotions. When, why and how we’re challenged does not have a timetable, nor a convenience. All of this is played out as fantasy in the vital “A Monster Calls.”

Film Review: ‘The Huntsman: Winter’s War’ is a Bloated Bore

CHICAGO – This new Hollywood fairy tale does have one thing in common with the bedtime stories of old…it may lull you to sleep in the first 30 minutes. “The Huntsman: Winter’s War” is a special effects extravaganza where the effects aren’t special, the story is thin, and almost all the actors seem to have been allowed or even encouraged to indulge their worst impulses.

Film Review: ‘Ted 2’ is a Funnier Film Than it Deserves to Be

CHICAGO – While it’s cruder and it can’t quite match the original “Ted,” “Ted 2” is still funnier than it has any right to be. It is unmistakably a Seth MacFarlane production, and there are a million reasons why this movie shouldn’t work, chief among them a plot that attempts to plop a foul mouthed talking teddy bear into a moralistic legal parable about civil rights. But I can’t deny I laughed throughout, almost despite myself.

Interview: Director Pierre Morel on Sean Penn, Liam Neeson & His Latest ‘The Gunman’

Pierre Morel of 'The Gunman,' photo by Patrick McDonald

CHICAGO – There were basically two careers for Pierre Morel, before he directed the mega-hit “Taken,” starring Liam Neeson, and afterward. The French-born cinematographer, camera operator and now director is releasing “The Gunman,” an action film that stars Sean Penn. Like “Taken,” the motivations for the action are based in the real world, and “The Gunman” travels to Africa, London and Barcelona on his way to redeeming his soul.

Film Review: Ramshackle, Rickety ‘Taken 3’ is Far Too Predictable

CHICAGO – “Taken 3” is more a brand extension than a movie. Seven years after “Taken” turned Liam Neeson into an unlikely action star, “Taken 3” shows this series has completely run out of gas. The novelty of the hulking Oscar-nominee beating bad guys to a pulp wore off a long time ago.

HollywoodChicago.com Hookup: 10 ‘A Million Ways to Die in the West’ Blu-ray Combo Packs

CHICAGO – In our latest HollywoodChicago.com Hookup: Combo Pack giveaway, we have 10 free Blu-ray and DVD combo packs up for grabs for the home entertainment release of the comedyA Million Ways to Die in the West” with Seth MacFarlane and Charlize Theron!

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

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