CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.
CHICAGO – I’m not sure there’s ever been a heist film in which the heist is discussed, debated, and argued about more than “Wasteland,” opening in Chicago this Friday, August 2, 2013. We know from the beginning, with its “Usual Suspects” narrative trick of an arrested man telling a cop how he got there, that things went wrong. And then we get to hear about the plan for things to go wrong over and over and over again. Writer/director Rowan Athale thinks he has made a crime caper a la “Lock, Stock, and Two Smoking Barrels” but the constant spinning of wheels drains the piece of its energy until a final act gets so convoluted that the whole thing falls apart.
CHICAGO – One of the great privileges of reporting film and television on HollywoodChicago.com is the opportunity to interview the performers, directors and legends that create movie and TV content.
Interview: Matthew Lewis Reflects on Neville Longbottom, ‘Harry Potter and the Deathly Hallows: Part 2’Submitted by mattmovieman on July 18, 2011 - 6:10am
CHICAGO – Late in 2001’s “Harry Potter and the Sorcerer’s Stone,” Albus Dumbledore reads off the House points earned by four heroic students. Three of them are easy to guess (Harry, Ron and Hermione), but the fourth comes as a shock: Neville Longbottom. The mousy, roly-poly boy had undergone the difficult task of standing up to his friends, not realizing that he would be rewarded for it.