CHICAGO – The issue of gender identity, especially for those who are born with a vagueness as to what to call themselves between/beyond boy and girl, has come front and center in the U.S., both with the legalization of gay marriage and the callous repudiation of identity by trying to pass laws dismissing it (the North Carolina “bathroom” laws). The performance companies of The Living Canvas and Nothing Without a Company is currently staging “[Trans]formation,” which presents gender identity art by six performers, who perform most of the play in the nude.
CHICAGO – I’m not sure there’s ever been a heist film in which the heist is discussed, debated, and argued about more than “Wasteland,” opening in Chicago this Friday, August 2, 2013. We know from the beginning, with its “Usual Suspects” narrative trick of an arrested man telling a cop how he got there, that things went wrong. And then we get to hear about the plan for things to go wrong over and over and over again. Writer/director Rowan Athale thinks he has made a crime caper a la “Lock, Stock, and Two Smoking Barrels” but the constant spinning of wheels drains the piece of its energy until a final act gets so convoluted that the whole thing falls apart.
CHICAGO – One of the great privileges of reporting film and television on HollywoodChicago.com is the opportunity to interview the performers, directors and legends that create movie and TV content.
Interview: Matthew Lewis Reflects on Neville Longbottom, ‘Harry Potter and the Deathly Hallows: Part 2’Submitted by mattmovieman on July 18, 2011 - 6:10am
CHICAGO – Late in 2001’s “Harry Potter and the Sorcerer’s Stone,” Albus Dumbledore reads off the House points earned by four heroic students. Three of them are easy to guess (Harry, Ron and Hermione), but the fourth comes as a shock: Neville Longbottom. The mousy, roly-poly boy had undergone the difficult task of standing up to his friends, not realizing that he would be rewarded for it.