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Matthew Lewis

Film Review: Convoluted British Heist Flick ‘Wasteland’ Tests Your Patience

Wasteland
HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I’m not sure there’s ever been a heist film in which the heist is discussed, debated, and argued about more than “Wasteland,” opening in Chicago this Friday, August 2, 2013. We know from the beginning, with its “Usual Suspects” narrative trick of an arrested man telling a cop how he got there, that things went wrong. And then we get to hear about the plan for things to go wrong over and over and over again. Writer/director Rowan Athale thinks he has made a crime caper a la “Lock, Stock, and Two Smoking Barrels” but the constant spinning of wheels drains the piece of its energy until a final act gets so convoluted that the whole thing falls apart.

Feature: The Top 15 Interviews on HollywoodChicago.com in 2011

CHICAGO – One of the great privileges of reporting film and television on HollywoodChicago.com is the opportunity to interview the performers, directors and legends that create movie and TV content.

Interview: Matthew Lewis Reflects on Neville Longbottom, ‘Harry Potter and the Deathly Hallows: Part 2’

CHICAGO – Late in 2001’s “Harry Potter and the Sorcerer’s Stone,” Albus Dumbledore reads off the House points earned by four heroic students. Three of them are easy to guess (Harry, Ron and Hermione), but the fourth comes as a shock: Neville Longbottom. The mousy, roly-poly boy had undergone the difficult task of standing up to his friends, not realizing that he would be rewarded for it.

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  • Book of Merman, The

    CHICAGO – One potential theater-goer loves the “The Book of Mormon.” The other would rather stay home and watch old Ethel Merman YouTube videos. Pride Films & Theater offers the ultimate solution by combining both in a campy musical, “The Book of Merman.” Yep, two Elder characters from The Church of Jesus Christ of Latter-Day Saints meets foghorn singer Ethel Merman.

  • Men, Women & Children with Kaitlyn Dever

    CHICAGO – In “Men, Women & Children,” director Jason Reitman not-so-audaciously reflects onto viewers their world of silent screens and awkward impersonal interactions. As many stories (“Don Jon,” “Disconnect”) have taken on the torch of showing how we are, gasp! — connected to the world yet disconnected from those close to us — Reitman’s tale is just another one for the batch.

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