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Film Review: Margot Robbie in ‘I, Tonya’ Can’t Stick the Landing

CHICAGO – We have arrived at point where yesterday’s trash TV has become today’s critical darling of the film festival circuit. As the trailers proclaim, “I, Tonya” desperately wants to be the “‘Goodfellas’ of Figure Skating,” but one of the biggest problems I had is that it’s just trying too hard.

Interview, Audio: Sabaah Folayan & Damon Davis of ‘Whose Streets?’

CHICAGO – The historic 2014 street killing by law enforcement of Michael Brown in Ferguson, Mo. – and the subsequent deflection by the police – continues to resonate. “Whose Streets?” is a new documentary about the incident and aftermath, and it marks the debut of co-directors Sabaah Folayan and Damon Davis.

Film Review: Ain’t That America in New Documentary ‘Weiner’

CHICAGO – It’s almost impossible to invent any punishment that former Congressman Anthony Weiner hasn’t inflicted upon himself. According to modern media, his indiscretions are the ultimate sin, but the media hacks are also the rock throwers in the glass houses. It’s all in the new doc, “Weiner.”

Film Review: Documentary ‘Kids for Cash’ Shares Multiple Viewpoints

Kids for Cash

CHICAGO – The funny thing about documentaries is that any goal of truly replicating reality, or the truth, is impossible. Unless a documentary film were to convey an experience with 360 degrees and 24/7 coverage (AKA life), it will always be a subjective endeavor. Documentary storytellers are always creating a point of view, simply by choosing where to point a camera, and where to cut a sequence.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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