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Podtalk: Media Artist Lana Z. Caplan on Her New Exhibit, ‘Dunites’

Lana Z. Caplan, 'Dunites'

BOSTON, MA – Meeting Lana Z. Caplan, as I did at the Chicago Underground Film Festival, is to meet a variety of perspective all in one dynamic artist. The veteran “lens based” media visionary has single-channel films, video, interactive installations and photography on her palette. Her latest exhibit – through September 29th, 2918 – is at Gallery NAGA in Boston, and it is entitled “Dunites.” The presentation will include photography, video, 35mm slides and a VR (Virtual Reality) installation, all inspired by the Guadalupe-Nipomo Dunes south of San Francisco.

Film Review: Margot Robbie in ‘I, Tonya’ Can’t Stick the Landing

CHICAGO – We have arrived at point where yesterday’s trash TV has become today’s critical darling of the film festival circuit. As the trailers proclaim, “I, Tonya” desperately wants to be the “‘Goodfellas’ of Figure Skating,” but one of the biggest problems I had is that it’s just trying too hard.

Interview, Audio: Sabaah Folayan & Damon Davis of ‘Whose Streets?’

CHICAGO – The historic 2014 street killing by law enforcement of Michael Brown in Ferguson, Mo. – and the subsequent deflection by the police – continues to resonate. “Whose Streets?” is a new documentary about the incident and aftermath, and it marks the debut of co-directors Sabaah Folayan and Damon Davis.

Film Review: Ain’t That America in New Documentary ‘Weiner’

CHICAGO – It’s almost impossible to invent any punishment that former Congressman Anthony Weiner hasn’t inflicted upon himself. According to modern media, his indiscretions are the ultimate sin, but the media hacks are also the rock throwers in the glass houses. It’s all in the new doc, “Weiner.”

Film Review: Documentary ‘Kids for Cash’ Shares Multiple Viewpoints

Kids for Cash

CHICAGO – The funny thing about documentaries is that any goal of truly replicating reality, or the truth, is impossible. Unless a documentary film were to convey an experience with 360 degrees and 24/7 coverage (AKA life), it will always be a subjective endeavor. Documentary storytellers are always creating a point of view, simply by choosing where to point a camera, and where to cut a sequence.

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