CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.
CHICAGO – In a film that had a sassy, arbitrary perspective on its own flipped-out story, “Free Fire” sought to out-Quentin Tarantino in freaky funny characters and ammo-splurging gun battles. Director Ben Wheatley (“High-Rise”) took an ensemble cast to rarified heights of insult comedy, revenge dynamics and bullets that hit the bone.
CHICAGO – One of the more lovely examples of pure cinema – if that description can be given to a film with nearly constant gunplay – is in the upcoming release of “Free Fire.” Director Ben Wheatley (“High-Rise”) constructs a dark and funny scenario within one room, and fills it with symbolism and homage to other movies.
CHICAGO – I’m on board with Jude Law leading a film and neutral about submarine movies as a genre. My primary pre-screening interest in the quietly marketed thriller “Black Sea” was what Oscar-winning director Kevin Macdonald would do with this material following his hit with the hard-hitting drama “The Last King of Scotland”.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 75 pairs of advance-screening movie passes up for grabs to the new thriller “Black Sea” starring Jude Law from Oscar-winning director Kevin Macdonald (“The Last King of Scotland”)!
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 30 pairs of advance-screening movie passes up for grabs to the new comedy “The World’s End starring Simon Pegg and Nick Frost from the creators of “Shaun of the Dead” and “Hot Fuzz”!
CHICAGO – Graphic violence is a double-edged sword. It can shock viewers into acknowledging the tragic nature of carnage so often belittled in mainstream cinema, yet it can also repel viewers straight out of the theater before the end credits roll. Ben Wheatley’s “Kill List” is far from the most violent film in recent memory, but its few instances of onscreen bloodshed are unbearably savage.
CHICAGO – Ben Wheatley’s “Kill List” comes to U.S. shores on a tidal wave of hype and controversy. Is it the work of a genre-defying genius or an inconsistent jerk? Are the film’s jarring tonal shifts effective or idiotic? Honestly, and I know critics aren’t supposed to say this, I can see both sides of the argument. On one hand, Wheatley take some serious risks here and some of them are to be admired. On the other, “Kill List” often feels disjointed and weird just for the sake of weird. It just barely works for me by virtue of its audacity but I wouldn’t be surprised if it doesn’t do the same for you.