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Film Review: Alicia Vikander Has a Case of the Runs in ‘Tomb Raider’

CHICAGO – Movies based on video games are almost never good… even the best ones only ascend to the level of “barely watchable.” By that measure, “Tomb Raider” can be considered a modest success since it didn’t make me want to claw my eyes out. I have to confess I never saw either of the first two films with Angelina Jolie, but after watching this I’m not actually clamoring at the bit to catch up.

Film Review: Jason Bateman & Rachel McAdams Score on ‘Game Night’

CHICAGO – A game cast elevates what is otherwise a bit of a ho hum affair in the action comedy “Game Night.” Jason Bateman and Rachel McAdams are a middle class couple hosting weekly game nights with a group of good friends. But when Bateman’s competitive venture capitalist older brother Brooks (Kyle Chandler) comes to town, he promises to take game night up a notch.

Film Review: World War II Drama ‘Fury’ Fires on All Cylinders


CHICAGO – “Fury” just might be Brad Pitt’s “Saving Private Ryan.” At its heart it’s a crowd pleaser, but it never shies away from the sheer brutality of war. While it doesn’t have anything quite so devastating as “Saving Private Ryan’s” D-day sequence, it depicts the everyday horrors of killing the enemy and the men who must force themselves to make their peace with the casualties that pile up in the muck. “Fury” is equally successful in its battle sequences and in its smaller moments among its crew inside the tank. Most surprisingly of all it coaxes a decent, dare I say good, performance out of none other than Shia LaBeouf – wonders never cease.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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