CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.
Movie Review
Film Review: Jingoistic ‘Zero Dark Thirty’ Highlights the Mission
Submitted by PatrickMcD on January 2, 2013 - 11:50amCHICAGO – Despite an obsession for killing a single man to represent a foggy revenge, “Zero Dark Thirty” is an effective thriller in the actual re-creation of that Navy Seal operation. Directed by Kathryn Bigelow (“The Hurt Locker”), the all-star cast is led by a miscast Jessica Chastain.
Film Review: Gus Van Sant’s ‘Promised Land’ Breaks Promise to Audiences
Submitted by mattmovieman on December 28, 2012 - 5:42pmCHICAGO – When a Gus Van Sant picture works well, it can be as rousing as “Milk” or as thrillingly experimental as “Elephant.”
Film Review: ‘Not Fade Away’ is a Slice of Rock ‘n Roll Heaven
Submitted by PatrickMcD on December 28, 2012 - 9:30amCHICAGO – It seems impossible today to get a sense of what it was like around 1964, when rock music changed forever with the “British Invasion” of The Beatles. But writer/director David Chase (“The Sopranos”) brings that distinct energy back with the nostalgic and incendiary “Not Fade Away.”
Film Review: No Scrooge in Billy Crystal with ‘Parental Guidance’
Submitted by PatrickMcD on December 25, 2012 - 9:20amCHICAGO – As the bells toll this Christmas morn, the critical knots are untied and the new comedy, “Parental Guidance,” is deemed to be not bad – even though the marketing might have indicated otherwise. Billy Crystal and Bette Midler make merry and bright as two grandparents taking care of modern kids.
Film Review: ‘Cirque du Soleil: World’s Away’ is Visually Arresting Infomercial
Submitted by PatrickMcD on December 21, 2012 - 5:16pmCHICAGO – Cirque du Soleil, which began with two street performers in Quebec in 1984, has grown into a multi-million dollar enterprise with shows on every continent and seven simultaneous extravaganzas in Las Vegas. The Vegas shows make up the storyline for “Cirque du Soleil: World’s Away.”
Film Review: Jamie Foxx Rides in Quentin Tarantino’s Incredibly Fun ‘Django Unchained’
Submitted by BrianTT on December 21, 2012 - 4:16pmCHICAGO – Quentin Tarantino’s “Django Unchained” has some undeniable pleasures, the kind that erupt from the screenwriting abilities of one of the best movie scribes alive.
Film Review: Shattering Power of True Story of ‘The Impossible’
Submitted by BrianTT on December 21, 2012 - 2:25pmCHICAGO – Juan Antonio Bayona’s “The Impossible” captures what its title implies. It transports us to an unimaginable situation, into an absolute nightmare in which air is replaced by rushing water, families are ripped apart, and people’s lives hang in the balance. It is a remarkable achievement in filmmaking, a film that is at times devastating, at times emotional, at times inspirational, and always riveting. It’s one of the best films of 2012.
Film Review: Werner Herzog Towers Over Miscast ‘Jack Reacher’ Star Tom Cruise in Five Mere Scenes
Submitted by HollywoodChicago.com on December 21, 2012 - 1:42amCHICAGO – While normally I’d never think the date I screened a film was newsworthy, being subjected to “Jack Reacher” on Dec. 13, 2012 turned out to put even a therapist into therapy. The very next day, well, just two words: Sandy Hook.
Film Review: Judd Apatow’s ‘This is 40’ Clutters Truth with Cliché
Submitted by BrianTT on December 20, 2012 - 2:12pmCHICAGO – Judd Apatow’s “This is 40” is a true disappointment, a comedy that purports to say something honest and insightful about approaching middle age in the ‘10s but blurs truth by smothering it in contrivance and cliché.
Film Review: Unfocused ‘Rust and Bone’ Wastes Marion Cotillard
Submitted by mattmovieman on December 20, 2012 - 10:12amCHICAGO – It’s been three years since Jacques Audiard made a sizable splash in American art houses with “A Prophet,” a spellbinding picture that certainly ranks as one of the great crime films of the last decade. By following an Arab youth through his punishing sentence in a French prison, it provided audiences with an unforgettable portrait of corrupted innocence.