Movie Review

CHICAGO – Ira Sachs’ intimate “Keep the Lights On” is about the intersection of love and addiction and how the two can rarely exist in the same relationship. It is reportedly at least semi-autobiographical and the film undeniably has the feeling of memory, both in its emotional honesty and its episodic nature.

CHICAGO – After the initial disappointment that “Chasing Mavericks” wasn’t about the pursuit of John McCain archetypes – it’s political season, don’t you know – it was interesting to note that mavericks are water waves, and chasing them means surfing. Hang ten, dudes.

CHICAGO – Sometimes an actor can deliver on so many levels at once that it makes flaws of a film easier to overlook. I’ll admit that while watching “The Sessions,” I was so caught up in the honest, true performance from the great John Hawkes that I didn’t consider many of the film’s dramatic failings until I began to consider my review.

CHICAGO – Not all great works of literature make great works of film. David Mitchell’s “Cloud Atlas” is a masterpiece but Tom Tykwer, Andy & Lana Wachowksi’s “Cloud Atlas” is definitely not. It is an ambitious work with many of Mitchell’s fascinating ideas about the ripple effect of emotion through time left intact but it is a work that frustrates as often as it thrills.

CHICAGO – World War II, also known as “The Good War,” had more than its share of darkness and sorrow. As the conflict winds down for a French town in the new film “War of the Buttons,” young love and rival town kid gangs create metaphors for the context of the war in its time and place.

CHICAGO – Desperation is the best emotion for formulating action movies. There is something basic and true about a chase, for example, or a heist gone bad, when it’s the “end of the world” for a character or circumstance. “Easy Money” has that vibe, and delivers on some great sequences.

CHICAGO – Following the first “Paranormal Activity” in 2007, which is most profitable film of all time based on return on investment, filmmakers Jason Blum, Oren Peli and Henry Joost have made a killing for Paramount Pictures.

CHICAGO – “Young Drunks in Love” could be the subtitle of the new film “Smashed,’ or maybe “Recovery Can’t Recover All.” Regardless, Mary Elizabeth Winstead gives a career-defining performance as a young adult facing up to that adulthood, and leaving behind everything she has known for a life that’s healthier, but less familiar.

CHICAGO – A cinematic lifetime ago, Morgan Freeman injected a bit of class and style into the role of Alex Cross in the adaptations of James Patterson’s “Along Came a Spider” and “Kiss the Girls.” Seventeen years later, director Tyler Perry steps into the shoes of the detective doctor with all the answers in the narcoleptic, horrendous “Alex Cross,” a misfire that makes the Freeman movies look like “The Silence of the Lambs” by comparison.

Rating: 4.0/5.0

CHICAGO – Ava DuVernay’s Sundance award-winning drama “Middle of Nowhere” is a confident, engaging drama strengthened by genuine, moving performances, particularly the stunningly good one at its center from Emayatzy Corinealdi. The movie sometimes falters due to some melodramatic, on-the-nose dialogue, but there’s an honesty, compassion, and genuine quality here that’s too often missing from adult dramas. It’s a striking debut.