Movie Review

Film Review: The Most Scary Film of 2012, ‘Sinister’ is Both a Voyeur’s Heaven & Hell

CHICAGO – We have forgotten what it’s like to be scared by an actually scary movie. “Sinister” – from producer Jason Blum (“Insidious” and all four “Paranormal Activity” films) – is the first film in 2012 to remind us.

Film Review: Kevin James Displays Heart in ‘Here Comes the Boom’

CHICAGO – Seeing the words “Happy Madison Production” on any film means a broad, unfunny and formulaic comedy is about to emerge – usually with company founder Adam Sandler. Although “Here Comes the Boom” has some of those dulling elements, it’s Kevin James who is sincere and motivated as a cage match fighter.

Film Review: Colin Farrell, Sam Rockwell in Fun ‘Seven Psychopaths’

Seven Psychopaths
HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Is there room for vengeance if you believe in Heaven and Hell? How do we suppress our need for moral and even physical justice if we believe that violence leads to damnation? Is there a chance to…oh, never mind. Let’s just blow someone’s brains out. That’s essentially how “Seven Psychopaths,” the clever new action comedy from Martin McDonagh (“In Bruges”) works in that it has a number of interesting ideas that aren’t fully developed even if the movie is fun enough to be considered a sin.

Film Review: Ben Affleck Reaches Career Peak with Masterful ‘Argo’

CHICAGO – Ben Affleck has reached the apex of his already impressive directorial career with the stunning “Argo,” a tight, tense machine of a film, a masterwork that delivers as comedy, action, drama, and more. Critics see movies all the time that we understand may produce a divided response. We get that many acclaimed films won’t make a dent with the populous.

Film Review: Internet Generation is Terrorized in Clichéd ‘Smiley’

Smiley
HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – What if all the evil on the internet manifested itself into a supernatural being with the power to kill a la Candyman? Such is the relatively clever premise of “Smiley,” opening in limited release this week. It’s a modest, low-budget horror movie with some effective ideas and an engaging lead performance but it clutters itself down with too much dialogue about its title character and the very concept of evil being potentially brought to physical life. Every time that it feels like “Smiley” could become something interesting, it falls back into clichés. It’s a film about the next generation of horror villains that owes too much to the older ones.

Film Review: Nicole Kidman is Unique in Fluttery ‘The Paperboy’

Paperboy, The

CHICAGO – With all the steamy heat, and the thick, gluey southern accents from mostly non-southern actors, the audience for “The Paperboy” might need to wear lawyer-like suspenders and flap a funeral home fan to take it all in. The sweaty new film features Nicole Kidman, Matthew McConaughey and John Cusack, all chewing the scenery.

Film Review: ‘About Cherry’ is Little More Than a Pretty Face

About Cherry
HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – Stephen Elliott’s “About Cherry” takes what could have been an interesting journey into the porn industry and turns it into what is essentially a TV-Movie-of-the-Week without the rating restrictions of the Lifetime Channel. Newcomer Ashley Hinshaw makes an impression and the supporting cast of Elliott’s drama is strong but the film never finds its focus, refusing to get under the beautiful surface of its lead character and present her as anything more than a sexy plot device.

Film Review: ‘Frankenweenie’ is Visually Rich, But Lacks Monstrosity

CHICAGO – The immersion that is possible in modern animated films is so rich now that it is practically reality. “Frankenweenie,” the newest puppetry-style film from director Tim Burton, is heroically painted onto the screen’s canvas, but the limp retelling of the Frankenstein movie myth doesn’t live up to the visual tone.

Film Review: ‘Taken 2’ with Liam Neeson Trades Action For Nonsense

CHICAGO – Olivier Megaton’s “Taken 2” is utter nonsense, a film that plays like a cross between Seth MacFarlane spoofing the first film on “Family Guy” and “MacGyver” fan fiction (although nowhere NEAR as much fun as that might make it sound).

Film Review: Hugh Laurie, Catherine Keener in Inconsistent ‘The Oranges’

The Oranges
HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “The Oranges” suffers from a common problem in these suburban comedies of error in that it assumes we care about these characters who are essentially less interesting than your actual neighbors. Infidelity, bad parenting, friendships collapsing – they’re happening every day on your street. Films like “The Oranges” may think they’re tapping a vein of picket fence peculiarity like “American Beauty” but the result actually plays more like a Showtime sitcom pilot that never got picked up because it was too boring to maintain week to week.

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  • Manhunt

    CHICAGO – Patrick McDonald of HollywoodChicago.com appears on “The Morning Mess” with Dan Baker on WBGR-FM (Monroe, Wisconsin) on March 21st, 2024, reviewing the new streaming series “Manhunt” – based on the bestseller by James L. Swanson – currently streaming on Apple TV+.

  • Topdog/Underdog, Invictus Theatre

    CHICAGO – When two brothers confront the sins of each other and it expands into a psychology of an entire race, it’s at a stage play found in Chicago’s Invictus Theatre Company production of “Topdog/Underdog,” now at their new home at the Windy City Playhouse through March 31st, 2024. Click TD/UD for tickets/info.

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