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Movie Review

‘Snow Angels’ an Essential Examination of Yin, Yang in Our Vulnerable Lives

CHICAGO – Staying sane is truly an edge-of-the-knife proposition. We are all the sum of our past environments, our present circumstances and our future worries. The sludge that is generated by such a mixture becomes the psyche that’s ready to interact with other psyches we deem important or are forced to be around through family or commerce.

Wizard of Oz is America in Immigration Film ‘Under the Same Moon’

CHICAGO – The immigrant “crisis” in the United States is discussed mostly in political generalities as if those seeking a better life are subhuman. “Under the Same Moon” focuses on the real faces of these people through a 10-year-old Mexican boy who risks everything in a journey to reunite with his mother in Los Angeles.

Israeli Directorial Debut ‘The Band’s Visit’ Built on Series of Bittersweet, Exquisite Moments

CHICAGO – When we speak of conflicts between people or ideologies, there’s a tendency for broad categorization. Who are the liberals or the conservatives? What type of people make up the Israelis or Palestinians? Who are the people of color and who are white?

‘Wild Ocean 3-D’ in IMAX Offers Breathtaking Cinematography, Profound Message

CHICAGO – “Wild Ocean 3-D” – an unforgettable nature documentary playing now in IMAX at Chicago’s Navy Pier – dives to the depths of the ocean and through the vastness of the sea with breathtaking 3-D cinematography and a profound message for all mankind.

Skater Boy Culture Takes Center Stage in Cult Director Van Sant’s ‘Paranoid Park’

Paranoid Park (1)

CHICAGO – For “Paranoid Park,” cult director Gus Van Sant returns to high school, which is the setting of his previous chilling look into the Columbine incident in 2003’s “Elephant”. Though not as successful as “Elephant,” “Paranoid Park” evokes a dream-like meditation on the trials and extreme tribulations of a skateboarding teenage boy trying to find his way.

With Surreal Madness, Strange Boys Play ‘Funny Games’

CHICAGO – Imagine a film with no redeeming or uplifting emotional qualities with evil that tortures the soul, squirm-inducing narrative elements and a relentless anxiety that practically has us – like the characters in the film – screaming for mercy. Imagine also that this film is excellent.

Interview: Chris Cooper, Director Ira Sachs Marry Blissfully in ‘Married Life’

CHICAGO – Sitting down with Oscar-winning actor Chris Cooper and Ira Sachs – the director of Cooper’s latest film, “Married Life,” which opened on March 14, 2008 in Chicago – is to marvel at the passion and commitment these two high-level professionals bring to this entertaining, poignant and hilarious new film.

‘Sleepwalking’ Has Exactly That Potential Effect on Moviegoers

CHICAGO – When done improperly, there’s nothing more embarrassing than actors playing against their type or social class. There is a subtlety to channeling the lower middle or the working class beyond dressing down or developing a bad hairstyle. “Sleepwalking” is the type of film that gets it wrong and just gets worse as it tries harder.

Dr. Seuss’ ‘Horton Hears a Who!’ Heard Loudly Into Instant Children’s Classic

CHICAGO – One of Dr. Seuss’ most famous storybooks has finally been granted life with its self-titled animated feature “Horton Hears a Who!,” which involves a morally righteous elephant, philosophical timbre and Dr. Seuss’ ingenious lyrical rhymes.

Filled With Political Blackmail, ‘The Bank Job’ Pays Dividends

CHICAGO – Done properly, the classic heist or caper film is a welcomed genre of suspense-filled locations, stereotyped experts and the big cash payoff. Based in speculative part on the true story of a robbery in a vital London safety deposit vault, “The Bank Job” adds the spice of political intrigue as an underlying factor to the actual crime.

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  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.


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