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Musicals

Film Review: ‘La La Land’ Will Create Love for Musicals Again

CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.

Blu-ray Review: Bob Fosse’s Beloved ‘Cabaret’ Gets Digibook Edition

Cabaret

CHICAGO – It’s easy to see why “Cabaret” was such a phenomenon when it was released in 1972. The film not only tackles issues of sexuality that the musical genre had largely ignored up to that point, it features the kind of evocative visual compositions and performances not often seen in the genre. It is a “serious musical.”

Blu-Ray Review: ‘South Pacific’ is One of Best Classic-Movie HD Releases of 2009

South Pacific
HollywoodChicago.com Blu-Ray Rating: 5.0/5.0
Blu-Ray Rating: 5.0/5.0

CHICAGO – Twentieth Century Fox has pulled out all the stops for the 50th anniversary of one of the most beloved movie musicals of all time, Rodgers & Hammerstein’s classic “South Pacific”. With an entire supplemental disc of not just special features but an extended version of the film and one of the most pristine video transfers that Fox has yet produced, “South Pacific” is one of the best musical HD releases to date.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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