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Paul Reiser

Film Review: Despite One Premise, Laughs Are Plenty in ‘The Little Hours’

Little Hours, The

CHICAGO – It occurred to me in assessing “The Little Hours” that the basic premise is somewhat like “The Beguiled” – a man is taken in, rooster-like, into a henhouse where there are women with “needs.” Except this time, instead of a girl’s boarding school, it is a 14th Century nunnery. Get thee to it, if thou wants to laugheth.

Film Review: ‘Concussion’ Can’t Quite Tackle its Difficult Subject

Concussion

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

Film Review: ‘Whiplash’ Finds a Big Rhythm, Gives it a Backbeat

CHICAGO – When is the last time you had a bit of sweat after coming out of a movie? “Whiplash” will do that, and it contains not one action sequence or superhero, unless you consider J.K. Simmons as a sociopathic music guru a hero (he is in a way), and drumming as action (it is).

Interview: Director Damien Chazelle Cracks the ‘Whiplash’

CHICAGO – Simply one of the best movies of 2014, “Whiplash” has a tone, energy and sensibility all its own. Damien Chazelle wrote and directed the story of a jazz drummer prodigy at a prestigious New York City music college, tortured by his tyrannical instructor. The drama is scintillating, in rhythm with the natural story flow.

TV Review: Michael Douglas, Matt Damon in ‘Behind the Candleabra’

CHICAGO – It could have been so awful. Liberace was such an over-the-top character that capturing his most extreme behavior in the form of a TV movie could have been the kind of campy thing that deserves comparison to “Showgirls.”

TV Review: ‘The Paul Reiser Show’ Diminishes Legacy of Sitcom Star

CHICAGO – Tonight’s premiere of “The Paul Reiser Show” is awkward in the way that television is when the viewer can tell that not only is it not quite working for you but that the cast can tell its problematic too. Have you ever seen bad improvisational comedy? You know that moment when you can see in the performer’s eyes that it’s not going well?

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  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

  • Monica Raymund on set for 'Tanya'

    CHICAGOTV fans know Monica Raymund as paramedic Gabby Dawson on the long-running “Chicago Fire.” But the talented actor is expanding her range, debuting her first film as director, “Tanya,” at the Midwest Independent Film Festival on Tuesday, August 1st, 2017. The short film – written by Sam Forman – will be part of “Female Filmmakers Night” at the Midwest Indie, and is part of Raymund’s involvement with Hidden Tears Project, an organization dedicated to raising consciousness by creating media on gender inequality, sexual abuse and human trafficking.

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