Paul Reiser

Film Review: ‘The Spy Who Dumped Me’ Didn’t Need the Spy Part

CHICAGO – It’s been a long time since I’ve seen a film completely stolen by a supporting character, but Kate McKinnon in “The Spy Who Dumped Me” managed to do just that… which was fortunate because the “spy” part of the story is a seen-it-before kill and gun fest that felt like the first draft of a James Bond knock-off.

Film Review: Despite One Premise, Laughs Are Plenty in ‘The Little Hours’

Little Hours, The

CHICAGO – It occurred to me in assessing “The Little Hours” that the basic premise is somewhat like “The Beguiled” – a man is taken in, rooster-like, into a henhouse where there are women with “needs.” Except this time, instead of a girl’s boarding school, it is a 14th Century nunnery. Get thee to it, if thou wants to laugheth.

Film Review: ‘Concussion’ Can’t Quite Tackle its Difficult Subject

Concussion

CHICAGO – “Concussion” suffers from what I call the “Moneyball” problem – it’s got an interesting subject matter, but it doesn’t seem to know what to do with it. It doesn’t have enough faith in its own material or its audience, so it stocks up on a lot of off-the-shelf melodrama in effort to avoid digging into what makes the story interesting in the first place. It’s also a movie that chickens out at the end and seems afraid to pick a fight.

Film Review: ‘Whiplash’ Finds a Big Rhythm, Gives it a Backbeat

CHICAGO – When is the last time you had a bit of sweat after coming out of a movie? “Whiplash” will do that, and it contains not one action sequence or superhero, unless you consider J.K. Simmons as a sociopathic music guru a hero (he is in a way), and drumming as action (it is).

Interview: Director Damien Chazelle Cracks the ‘Whiplash’

CHICAGO – Simply one of the best movies of 2014, “Whiplash” has a tone, energy and sensibility all its own. Damien Chazelle wrote and directed the story of a jazz drummer prodigy at a prestigious New York City music college, tortured by his tyrannical instructor. The drama is scintillating, in rhythm with the natural story flow.

TV Review: Michael Douglas, Matt Damon in ‘Behind the Candleabra’

CHICAGO – It could have been so awful. Liberace was such an over-the-top character that capturing his most extreme behavior in the form of a TV movie could have been the kind of campy thing that deserves comparison to “Showgirls.”

TV Review: ‘The Paul Reiser Show’ Diminishes Legacy of Sitcom Star

CHICAGO – Tonight’s premiere of “The Paul Reiser Show” is awkward in the way that television is when the viewer can tell that not only is it not quite working for you but that the cast can tell its problematic too. Have you ever seen bad improvisational comedy? You know that moment when you can see in the performer’s eyes that it’s not going well?

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  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

  • 2019 Physical Theater Festival

    CHICAGO – The visual artistry of the stage is often due to the picture that is created through the physicality and movement of the actors. This is brought to light in the 6th annual Physical Theater Festival in Chicago, a cornucopia of international imagination generating theater through the physical realm. Co-founders/Artistic Directors Alice Da Cunha and Marc Frost created the fest, which runs from May 31st through June 9th, 2019, Stage 773 in the Belmont Avenue Theater District. All the Festival information – including tickets – can be found by clicking here.

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