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Paul Thomas Anderson

Blu-ray Review: Christopher Nolan’s Wondrous Space Odyssey ‘Interstellar’

Interstellar

CHICAGO – Far more marvelous than imperfect, “Interstellar” is the answer for moviegoers who have lost the zeal for massive films, citing a lack of ideas, heart, or general passion for filmmaking. Director Christopher Nolan’s 2014 space odyssey is an event of beauty, with the rare experience of showing viewers something they haven’t seen before.

Film Review: Beyond Being Trippy, ‘Inherent Vice’ is a Difficult Trip

CHICAGO – Interpreting the ambling and sonic prose of author Thomas Pynchon has eluded filmmakers until now. Director Paul Thomas Anderson takes a whack at “Inherent Vice,” and although much of the film has his usual eminent vision, as a whole it makes for difficult sledding.

Film Review: Stunning Ambition Drives P.T. Anderson’s ‘The Master’

CHICAGO – Paul Thomas Anderson’s “The Master” screened publicly last week in Chicago for only the second time in the world. It was shown in glorious 70mm, the format in which the film was shot, but in which most people will never get the chance to see it. While much of the conversation surrounding the screening seemed to hinge around the technical specifications, the increasing dearth of actual film projectors in the city, or the aspects of the plot related to Scientology, those aren’t the elements of the film that have been rolling around my head for the last four days.

Trailer Tracking: ‘Skyfall,’ ‘Gangster Squad,’ ‘The Campaign,’ ’The Master’

CHICAGO – Thanks to the internet, movie trailers are having a bit of a golden age recently. They’ve never had a wider reach and, as a result, they’ve never had a bigger cultural impact.

Interview: Building a Character With John C. Reilly of ‘Cyrus’

CHICAGO – John C. Reilly, the star of “Chicago,” “Talladega Nights: The Ballad of Ricky Bobby,” “Step Brothers,” and “Magnolia” gives one of the best performances of his career in this weekend’s excellent “Cyrus” and the actor sat down with HollywoodChicago.com a few weeks ago to discuss the process behind this unusual film.

Blu-Ray Review: Two Amazing P.T. Anderson Films in ‘Boogie Nights,’ ‘Magnolia’

Magnolia

CHICAGO – Has any director watched their reputation rise as rapidly as the amazing Paul Thomas Anderson? With only five films under his belt - “Hard Eight,” “Boogie Nights,” “Magnolia,” “Punch-Drunk Love,” and “There Will Be Blood” - the man has become one of the most respected and adored filmmakers in the world. Why? He not only hasn’t made a bad film, he hasn’t even come close. His second and third are now available on Blu-ray.

Julianne Moore Pushes Freudian Implications to Limit in ‘Savage Grace’

CHICAGO – The national acting treasure Julianne Moore never shies away from a performance challenge. From her memorable exposure in Robert Altman’s “Short Cuts” to her willingness to go all the way in Paul Thomas Anderson’s “Boogie Nights,” Moore has proven that true vulnerability in a role requires the ability to bare – and bear with – all.

Set in Tel Aviv, New Israeli Film ‘Jellyfish’ Shines With Virtue, Veracity

CHICAGO – It has been a banner year so far for the Israeli film industry. Following the American debuts of “The Band’s Visit” and “Beaufort,” we now have the stunningly composed and heart-rending “Jellyfish”.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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