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Piper Laurie

Interview: Piper Laurie Reflects on ‘Carrie,’ ‘The Hustler,’ Fumio Yamaguchi

CHICAGO – Few character actresses have proven to be as effortlessly versatile as Piper Laurie. Her Oscar-nominated turns as Paul Newman’s alcoholic lover in Robert Rossen’s 1961 classic “The Hustler” and Marlee Matlin’s estranged but loving mother in Randa Haines’s 1986 drama “Children of a Lesser God” offer a mere sample of her remarkable range and magnetic screen presence.

Blu-Ray Review: Paul Newman, John Wayne Classics For Father’s Day

The Hustler

CHICAGO – Two of cinema’s most iconic actors appeared on Blu-ray new release shelves this week with excellent HD transfers and hours of special features for 50th Anniversary Editions of Paul Newman’s “The Hustler” and John Wayne’s “The Comancheros.” History has well-documented that the Newman is one of the best films from one of the form’s best actors. The Wayne film may have a more niche audience but they’re surely be satisfied with a very solid release.

Film Review: Loathsome ‘Hesher’ With Joseph Gordon-Levitt, Natalie Portman

HollywoodChicago.com Oscarman rating: 1.0/5.0
Rating: 1.0/5.0

CHICAGO – “Hesher” ends with a middle finger and I shot one right back to the screen. Rarely has a film so completely misunderstood the grieving process and played faux tough in an attempt to be edgy instead of heartfelt. Like a knock-off of Chuck Palahniuk produced by people raised only on Sundance films, “Hesher” is a mess.

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  • Sherlock Holmes with David Arquette (teaser)

    CHICAGO – Different isn’t bad and might be great, but you’d better have an irrefutable reason to change what was never broken. Campy being the only word to accurately convey this alternate-reality version of Sherlock Holmes with an original script, writer Greg Kramer and director Andrew Shaver try too hard to be different without ever figuring out why.

  • Merry Widow, The

    CHICAGO – Standing up at the Lyric Opera house in Chicago is unusual before a show. But in this case, it was the night after a tragedy, and the operetta “The Merry Widow” – set in Paris, France, in 1905 – was about to unfold. The orchestra struck up La Marseillaise, a reminder that we’ll always have Paris.


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