Prison

CHICAGO – How can we understand the day-to-day factors of men and women who continued to be judged by their skin color, economic circumstances, difficult jobs or gender fluidity, if we are not any of those categories? Our art can help us, as given a great example in the new film “Blindspotting.”

CHICAGO – If there are themes emerging in the 2018 film year, a couple of them are incorporated in Oakland, California, and African American identity. Like the recent “Black Panther” and “Sorry to Bother You,” the new film “Blindspotting” – written by and featuring Daveed Diggs and Rafael Casal – involve those themes.

CHICAGO – There is no justice for the poor. That should be carved in stone on courthouses beside all the platitudes of American “equality” and “law.” In an eye-opening narrative film based on a true story, “Crown Heights” explores just how an impoverished individual can be found guilty and imprisoned unjustly for years.

CHICAGO – Will Ferrell is a funny guy. Kevin Hart can be a funny guy. But the prison buddy comedy “Get Hard” is woefully less than the sum of its comedic parts. It fires buckshot of lame jokes at its audience, but precious few come anywhere near their targets as it squanders nearly every comic opportunity that comes its way.

CHICAGO – The Criterion Collection has added “Riot in Cell Block 11” (1954) to their stellar Blu-ray family, and the transfer is absolutely gorgeous, especially if you’re an admirer of the stark cinematography of the late black & white film era. Although dated, it still packs a gritty wallop.

CHICAGO – Great action movies have one truth in common – they mix their face-offs with a psychological battle, which complements the pyrotechnics of invincible super humans. “Escape Plan,” with grizzled veterans Sylvester Stallone and Arnold Schwarzenegger, is true to that form.