Something always felt a bit out of place for me in Martin Scorsese’s brilliant “The King of Comedy”, just released on Blu-ray for the first time. I couldn’t put my finger on it but chalked it up to it being thematically ahead of its time in its investigation of the cult of personality that defines modern entertainment.
CHICAGO – After the not-so-surprising success of the heavily marketed farce “The Hangover,” Jon Lucas and Scott Moore have quickly become Hollywood’s most overrated screenwriters. They specialize in injecting high concepts with frat-boy vulgarity, mean spirited gags and entirely superficial warmth. If Zach Galifianakis hadn’t bolstered “Hangover” with his deadpan genius, the film almost surely would’ve flopped.