CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – To create spirituality from tragedy is like shooting the proverbial fish – a prominent symbol for Christianity – in a barrel. “The Shack” is based on a popular novel, and doesn’t try to do anything different or cinematic with a man encountering the Holy Trinity after a horrific incident.
HollywoodChicago.com Hookup: 40 Pairs of IMAX Passes to ‘Everest’ With Jason Clarke, Jake GyllenhaalSubmitted by HollywoodChicago.com on September 13, 2015 - 11:33am
CHICAGO – In the latest HollywoodChicago.com Hookup: Film, we have 40 pairs of advance-screening IMAX passes up for grabs to the highly anticipated new film “Everest” starring Jason Clarke and Jake Gyllenhaal!
CHICAGO – It’s been a while since I walked out of a screening so affected and feeling that I just experienced a truly honest, important film.
CHICAGO – The crime thriller “Sabotage” is the least predictable and most intense of the handful of post Governator action movies Arnold Schwarzenegger has starred in. Last year’s “The Last Stand” had a sense of humor about it, along with a nod to classic Westerns, that lightened the bloody violence, but here is a gritty film that proudly displays its tattoos and adrenaline in a testosterone-laced delivery.
CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 40 pairs of advance-screening passes up for grabs to the new DEA action film “Sabotage” starring Arnold Schwarzenegger!
CHICAGO – Just because a tale is enormously influential and older than the hills doesn’t mean that it’s foolproof. Just ask “John Carter.” Or “Mirror Mirror.” What makes the “Titans” franchise particularly unseemly is its air of smugness. It trashed Ray Harryhausen’s admittedly outdated 1981 version of “Clash of the Titans” in its 2010 remake, but failed to establish a personality of its own.
CHICAGO – “Man on a Ledge” wants to be “Dog Day Afternoon” for the ’10s recession (it’s not coincidental that a man screams “Attica!” at one point). A tale of a man screwed by a corrupt system who stages a complex heist and galvanizes the people of New York in the process could have worked so well. There are great actors and great ideas here. And there’s also the most convoluted, ridiculous, and poorly written script that I’ve suffered through in a very long time.
CHICAGO – 2010’s “Clash of the Titans” was a surprising box office smash, making almost $500 million worldwide. That kind of money demands a sequel, but what to call it? “Clash of the Titans 2” wouldn’t be exciting enough but it should sound similar.
CHICAGO – New York City. Mid-day. A man steps outside the window on the edge of the Roosevelt Hotel. Is he jumping? That’s the question that street level onlookers and moviegoers want answered from Sam Worthington, Elizabeth Banks, Jamie Bell and Ed Harris in “Man on a Ledge”
CHICAGO – Is there anything Chloë Grace Moretz can’t do? She’s earned big laughs as a snarky yet concerned sister in “(500) Days of Summer,” performed her own stunts as a vengeful hit girl in “Kick Ass,” brought startling pathos to the role of a smitten vampire in “Let Me In” and exuded Hepburn-esque grace in “Hugo,” all before the age of 15. Needless to say, her versatility is unmatched by any of her peers.