CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – The use of science fiction for all kind of stories is one of the hottest go-to genres for Hollywood today. “Passengers” is a love story, and adds the visual glory of modern special effects…but the soapy tale of a star-crossed (literally) couple is problematic and cliché ridden, and breaks at the end with heroics that are shoehorned into the rest of the scenario.
CHICAGO – Director Rujanee Mahakanjana has created some atypical and artistic statements in her film career. Her studio Nebula Creatives represents that work, which includes the short films “Random Seating” and “Out of Sight,” and feature films “Man and His Erections” and “Parallel Universe.” She is taking a different route to her next film, “Lab 99,” with a creative process that utilizes the comic book format.
CHICAGO – The film genre of aliens from other planets is as old as the movies. But it hasn’t been told as boldly and humanely as the new film “Arrival.” Its theme is communication, and how this interaction relates to the concept of the life cycle. Yes, it’s lofty, but it is also edge-of-the-seat engaging.
CHICAGO – There is nothing like the feeling of watching a completely immersive sci-fi film that delivers the complexity of technology in a modest package, and uses elements of nature to create a beautiful contrast. Unfortunately, “Morgan” doesn’t deliver on the enlightenment it promises.
CHICAGO – The title “Ex Machina” is a play on Deus ex machina, the stage/scenario term meaning god from the machine, or the basic happy ending. By cutting out the “Deus” in the phrase, the film is left with just the machine, and the humans.
CHICAGO – Who are we anyway, when as inventors of artificial intelligence, we can create a new wave of thought process? That is what writer – and now director – Alex Garland (“28 Days Later…,” “Sunshine”) has been grappling with his entire career. His directorial debut is the stunning and prescient “Ex Machina.”
CHICAGO – In the collaboration of actors Simon Pegg, Nick Frost and director Edgar Wright, the best in life come in threes. Following their sublime “Shaun of the Dead” and the wacky “Hot Fuzz,” comes ther third comic film rendering, “The World’s End.”
CHICAGO – Good things come in “threes.” It’s the new film, “The World’s End,” the third of the infamous “Cornetto Trilogy” – after “Shaun of the Dead” and “Hot Fuzz” – and there are the “three” that made it all happen. It’s the actors and co-creators Simon Pegg and Nick Frost, along with director/writer Edgar Wright.
CHICAGO – Sorry “Sharknado” fans, BBC America has been the go-to place for science fiction fans for years and they have delivered time and time again. The world of “Doctor Who” gets the most attention but genre fans have also devoured shows like “Torchwood,” “Primeval,” and “Being Human.” The latest bullet in this genre arsenal is the truly impressive and increasingly popular “Orphan Black,” recently released on Blu-ray and DVD.
CHICAGO – Definitely one of the strangest films so far in 2013 is “Upside Down,” featuring a dream pairing of Kirsten Dunst and Jim Sturgess. The problem is they exist as disparate lovers on opposing planets, with opposite gravitational pulls. Thus what is up for Kirsten is down for Jim, or vice-versa?