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Shakespeare

Film Review: Strong Performance Makes ‘Lady Macbeth’ a Cogent Character Study

ladymmain

CHICAGO - Separating a performance from the rest of the film is usually an easy task. One may be stronger than the other, or vice versa, but either way, they can be judged individually and as a whole. “Lady Macbeth” proves to be that rare character study where a single performance (from breakout actress Florence Pugh) not only makes the film but essentially is the film.

Film Review: Magic of Orson Welles Rings the ‘Chimes at Midnight’

Chimes at Midnight

CHICAGO – Another wondrous pleasure about director Orson Welles – as if he needed something else on his resume – is the discovery of his film career after the “Citizen Kane”/studio system/boy wonder period of the 1940s. Facing difficulties cobbling together financing for his evolving vision, he resorted to overseas money, international casts and more-for-less. One of the prime examples is “Chimes at Midnight” (1965), a Shakespeare amalgamation that is just another example of Wellesian audacity and yes, genius.

Film Review: Kevin Spacey on Power of ‘NOW: In the Wings on a World Stage’

NOW: In the Wings on a World Stage

CHICAGO – “Hi-diddle-dee-dee, the actor’s life for me!” Kevin Spacey, who took a considerable break from movie acting to become Artistic Director of the Old Vic Theater in London, puts the fruit of those labors in a new documentary, “NOW: In the Wings on a World Stage.” The film chronicles the international tour of Spacey and the troupe performing William Shakespeare’s “Richard III.”

Interview: Christopher Egan Woos Amanda Seyfried in ‘Letters to Juliet’

CHICAGO – Christopher Egan is an Australian actor portraying a Londoner on holiday in Italy. That internationalism has helped him tackle his first major lead role opposite Amanda Seyfried and Vanessa Redgrave in the new film “Letters to Juliet.”

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