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Spike Walters

Film Review: ‘Anna and The Apocalypse’ is UnDead on Arrival

CHICAGO – Arriving a few years too late after the great movie mashup craze, “Anna and The Apocalypse” is a zombie Christmas musical. The signature (and only) joke is that teens are dancing and singing amid the blood, guts, and gore spurting in gushers around them. But it’s less a feature film and more akin to a late run episode of “Glee,” when its creators had clearly run out of any ideas.

Film Review: ‘Fantastic Beasts: The Crimes of Grindelwald’ Goes Deeper into Harry Potter World

CHICAGO – “Fantastic Beasts: The Crimes of Grindelwald” is like the “Joey” of film franchises, a spinoff which only exists because of its tangential connections to a better (and more beloved) property. But since this is our only current filmed connection to the “wizarding world of Harry Potter,” it’ll have to do.

Film Review: Rebooted ‘Halloween’ Sequel Offers Nothing New in 2018

CHICAGO – At this point, the “Halloween” franchise is looking as tattered and tired as Michael Myers old William Shatner mask… fraying around the edges and on the verge of falling apart. The 2018 “reboot” sequel brings back former scream queen Jamie Lee Curtis as Laurie Strode, along with original Michael Myers, Nick Castle.

Film Review: ‘Night School’ Can’t Get to a Passing Grade

CHICAGO – “Night School” is the latest undistinguished product to come off the Kevin Hart assembly line. If you’re a fan of Hart’s motormouthed and hyperactive small time schtick, you’ll find that this will just barely passed the test. But if you’re not, this movie won’t change anyone’s mind.

Film Review: ‘The House With a Clock in Its Walls’ is Movie Magic

CHICAGO – “The House With The Clock In Its Walls” is a surprisingly restrained and endearing haunted house pic for kids just getting rid of their training wheels. It’s all a spooky atmosphere with cobwebs galore, creaking doors, a stained glass window which changes on its own, and a library of books which at times resemble the avifauna predators from the Hitchcock classic “The Birds.”

Film Review: ‘The Predator’ is the Best Sequel Reboot of the Series

CHICAGO – By the standards of Predator sequels, “The Predator” is easily the best of the bunch. But that’s a depressingly low bar to clear… kind of like saying you got the nicest looking “Yugo” on the lot. Coming 31 years after Arnold Schwarzenegger battled the original “one ugly mother f**ker,” this reboot brings the space alien with the heat seeking vision to the suburbs.

Film Review: ‘The Happytime Murders’ Shoots Its Wad Too Early

CHICAGO – The most noteworthy feature of the puppet-noir comedy “The Happytime Murders” is its use of felt and fluff for nefarious ends, and while that’s not exactly new, there’s no reason it shouldn’t work. But the movie shoots its wad early, and doesn’t have much imagination after that beyond turning silly string into a bodily fluid.

Film Review: Tom Cruise Outruns Time in ‘Mission Impossible: Fallout'

CHICAGO – By any reasonable account, Tom Cruise should be entering into a phase in the “Mission Impossible” series not unlike the latter James Bond films of Roger Moore… appearing in closeups and letting the stuntmen do the rest. However, Cruise continues to outrun the ravages of time, and his stunts only seem to get crazier in the sixth film, “Mission Impossible: Fallout.”

Film Feature: Best & Worst of 2018 So Far by HollywoodChicago.com

CHICAGO – The holiday hangover is fading with the heat and humility, so what better time to remind ourselves of the Best and Worst films of 2018 SO FAR! HollywoodChicago.com contributors – Patrick McDonald, Jon Espino and Spike Walters – offer the following reactions to those so-far cinema treats and threats.

Film Review: ‘The First Purge’ is Nothing But Tedious Trash

CHICAGO – I saw the original “The Purge” five years ago, but missed the other two installments. Let me say that nothing in the new prequel “The First Purge” makes me want to make up for lost time and catch up. The setup is the same… one night of legalized violence each year where the citizens are allowed to do whatever they want without the fear of prosecution.

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  • Stephanie Buxbaum

    CHICAGO – In the history of “Reality TV” there has been periods of up-and-down popularity, shows that have been around seemingly forever (“Big Brother,” “Amazing Race”) and spinoffs to new styles like “documentary series” as networks like the National Geographic Channel emerged. In all those permutations, producer Stephanie Buxbaum has experienced it all, and has the career and stories to prove it.

  • Deadbeat2

    CHICAGO – Not many web series start out as music videos, but the new online (YouTube) drama “Deadbeat 2” was just that. Created, written and directed by Danny Froze, the made-in-Chicago story recently premiered episodes five and six in the series, which features actor Kiwaun Stoutmire in the lead role of Ronnie.

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