CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – While vacationing in Colorado, an unusual twist of fate landed me before “America’s Got Talent” star Aiden Sinclair while staying at The Stanley Hotel. His one-man show, “Illusions of the Passed,” took place in the billiards room of the hotel where Stephen King’s “The Shining” was inspired. Here are photos from the unusual experience.
CHICAGO – Some people spend the rest of their lives trying to compensate for slights felt in high school – that social jungle is staged in “Carrie: The Musical.” Based on Stephen King’s novel, the story of Carrie White is presented as an adversarial tale by Bailiwick Chicago at Victory Gardens Theater.
Chloe Grace Moretz is only 16 and already has 50 credits to her name, including “(500) Days of Summer,” “Kick-Ass,” and “Let Me In.” She filmed “The Amityville Horror” remake on the North side of the city when she was only 5 and returned this week to talk about starring in her first lead role, the title part in Kimberly Peirce’s remake of the Stephen King classic, “Carrie.”
CHICAGO – Stephen King’s “Under the Dome” would have likely been a standard mini-series back in the day when such a thing happened on the networks in iterations like “It,” “The Stand,” and “Storm of the Century.” In a time when network mini-series are a lost form, CBS has taken the daring move of turning King’s book into a fully-formed, 13-episode Summer series, with the door apparently open for more beyond this initial arc.
CHICAGO – A&E’s “Bag of Bones” is a mess. There are elements that work but a source material that doesn’t exactly translate to the mini-series form along with a mediocre script by Matt Venne and generic direction by Mick Garris add up to an experience that’s disjointed and inconsistent. There was a time when a Stephen King mini-series was an event – “The Stand,” “It,” even “Storm of the Century” – but what’s so disappointing about “Bag of Bones” is how inconsequential the whole thing feels.
CHICAGO – The first season of “Haven” (recently released on Blu-ray and DVD) ended with a number of cliffhangers and the new season picks up, literally, right where it left off with guns pulled and chaos imminent in the town of Haven. Sadly, it also picks up with a similarly frustrating level of quality. This is a show that just doesn’t click, whether it’s the awkward performances or unbelievable dialogue. I want to like “Haven” but it’s a town I just can’t recommend visiting.
CHICAGO – Alan Wake’s continued nightmare is your gaming gain as the second installment of DLC for the Microsoft-exclusive title hit Xbox Live Arcade this week and we’ve endured the surreal episode and survived to give you the lowdown on what to expect.
CHICAGO – Life for Alan Wake continues to be a walking nightmare in “The Signal,” the first of several downloadable chapters designed to lengthen and enhance the experience of one of the most unique and memorable games of 2010 — the mysterious-and-riveting “Alan Wake.”
CHICAGO – With echoes of the literature of Stephen King, “The Twilight Zone,” “Twin Peaks,” and “Lost,” the Xbox-exclusive “Alan Wake” is a daring, ambitious title that demands your attention. Why? Because while it’s an imperfect title on a gameplay level and I wish I could have tweaked the storytelling a bit, games that try to break the mold and present something this unique deserve an audience.
CHICAGO – Master horror filmmaker George A. Romero is back for the fifth installment of his “Dead” series as what began with 1968’s “Night of the Living Dead” has fast-forwarded to “Diary of the Dead”. This time, Romero takes on the modern soul deadening of staring at screens and includes the constant navel gazing of videotaping, computers and the instant playback that has become our lives.