Steve Buscemi

CHICAGO – The young Alec Baldwin (think “Prelude to a Kiss”) never seemed as prevalent as the today’s Alec Baldwin. Taking his “30 Rock” persona to a different level, he voices the title character of ‘The Boss Baby,” the latest from Dreamworks Animation and director Tom McGrath.

CHICAGO – In one of the most natural pieces of voice casting in cartoon history, Alec Baldwin portrays the title character in Dreamworks Animation’s “The Boss Baby.” The director is animation veteran Tom McGrath (“Madagascar”), and the producer is Ramsey Ann Naito, and they were both in Chicago to promote the film.

CHICAGO – For the younger set unable to experience the mystique of Dracula, Wolfman and Frankenstein in their original creations, “Hotel Transylvania 2” may prove to be an introduction to the legendary bloodsucker and his band of movie monsters – and for that Adam Sandler deserves a stake through his heart.

CHICAGO – The newest Adam Sandler film that doesn’t feature him dressed like a chubby middle schooler is really bad, but in a special way. Similarly, it is an instant classic in the legacy of bizarre disasters, a footnote in writer/director history that must be witnessed to be fully understood.

CHICAGO – HBO’s “Boardwalk Empire” found a narrative urgency and a deep sense of poetic melancholy in 2012’s season three, the best of the program’s run to date.

CHICAGO – There’s a time and a place where overacting is acceptable – musicals, children’s plays, Broadway – but there’s nothing worse than using it all the time in every wrong place.

CHICAGO – In the latest HollywoodChicago.com Hookup: Film with our unique social giveaway technology, we have 50 pairs of advance-screening movie passes up for grabs to the highly anticipated sequel “Grown Ups 2” with Adam Sandler!

CHICAGO – Some comedies improve when they climb down off the big screen and take up residence on the small one. Perhaps it’s just that we’re more forgiving at home then we are when we’re paying a fortune for tickets, parking, and popcorn. Or we’re just more accustomed to bad comedy writing on TV. However, “The Incredible Burt Wonderstone,” one of the more notable box office flops of 2013 so far (it couldn’t crack $23 million TOTAL) is not one of those better-at-home comedies. It’s still a stunniningly flat, boring piece of work and the scant special features do nothing to improve it.

CHICAGO – Let’s everybody say it together, “the key to great animation is a great story.” This has to be the motto for Pixar Animation – now part of Disney. Their latest, “Monsters University,” is a prequel with a heart, soul and attention to what makes this type of entertainment work.

CHICAGO – It’s this simple – “The Incredible Burt Wonderstone” just isn’t funny. Sure, there are a few laughs here and there and some of the supporting cast works but the leads are woefully miscast and most of the jokes hit with all the awkward silence of a Bennigan’s tableside magician who guesses the wrong card.