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Preview: Second-Week Films at 52nd Chicago International Film Festival

CIFF 2016 2nd Week Films

CHICAGO – It’s Week Two of the 52nd Chicago International Film Festival, and with Closing Night coming next Thursday, what film gems still are yet to see? The film reviewers of HollywoodChicago.com has been previewing several second week screenings, and offers the following capsule summaries.

Film Review: ‘Morgan’ Takes Out Intelligence in Artificial Intelligence

CHICAGO – There is nothing like the feeling of watching a completely immersive sci-fi film that delivers the complexity of technology in a modest package, and uses elements of nature to create a beautiful contrast. Unfortunately, “Morgan” doesn’t deliver on the enlightenment it promises.

Exclusive Portraits: Matt Dillon, M. Night Shyamalan of ‘Wayward Pines’

CHICAGO – The 2015 TV season just got a little more intriguing, with the premiere of “Wayward Pines” on the FOX network on Thursday, May 14th. The series features Matt Dillon, and the Executive Producer and Director of the first episode, filmmaker M. Night Shyamalan (“The Sixth Sense”).

Film Review: Undeniably Unique Oddity of ‘Berberian Sound Studio’

CHICAGO – If David Lynch directed a Giallo it might have come out something like “Berberian Sound Studio,” a truly surreal oddity opening this week at the Siskel Film Center, starring the great Toby Jones as a man driven mad by his work on a ‘70s horror film. Or is it? Like “Eraserhead” or “Inland Empire,” there are times when the film simply defies interpretation.

TV Review: HBO’s ‘The Girl’ Presents Intersection of Madness, Genius

CHICAGO – Alfred Hitchcock is inarguably one of the most important and influential directors in the history of cinema. There’s no debate or controversy regarding his agreed-upon genius. However, fans of films like “Rear Window,” “Psycho,” “Vertigo,” and “The Birds” may not know that Hitch had a much darker side behind the camera.

Film Review: Cillian Murphy, Robert De Niro in Messy ‘Red Lights’

CHICAGO – “Red Lights” is a mess. And yet it’s also not messy enough. Rodrigo Cortes follows up his vastly superior “Buried” with this supernatural tale filled with plot contrivances that would make M. Night Shyamalan call bullshit. Still, he does so with a direct, straightforward style when a bit less polish would have given it the character it’s missing.

Interview: Cillian Murphy, Rodrigo Cortes Run ‘Red Lights’

CHICAGO – Writer/director Rodrigo Cortes really broke through with the award-winning “Buried,” starring Ryan Reynolds. He returns this week with a very different thriller called “Red Lights,” starring the great Cillian Murphy, who joined Mr. Cortes recently in Chicago for a discussion about “2001,” working with Robert De Niro, and the complexity of audience expectations.

Blu-ray Review: ‘Tinker, Tailor, Soldier, Spy’ with Gary Oldman

Tinker, Tailor, Soldier, Spy with Gary Oldman

CHICAGO – Gary Oldman scored his first Oscar nomination for his incredible, subtle work in Tomas Alfredson’s “Tinker, Tailor, Soldier, Spy,” recently released on Blu-ray and DVD. The film is ultimately a bit too cold and clinical for this viewer but it features enough amazing parts, including Oldman’s performance and incredible production design, that the lack of a more-impressive sum shouldn’t hold you back.

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  • Transformers 5 front

    CHICAGO – Knock me over with a feather kids, but I enjoyed “Transformers: The Last Knight.” Maybe it was in comparison to the others or maybe director Michael Bay has beaten me into submission, but this one had the right story elements and casting to make it work, with exceptions of course. It’s goofiness is its charm, and it was released on Blu-Ray/DVD on September 26th, 2017 (Digital HD already available).

  • Wonder Woman

    CHICAGO – There are few films in 2017 that are as historically important as they are cinematically well-crafted. Of those, there is only one I saw three times in theaters. That honor comes in the form of the revolutionary “Wonder Woman,” which not only shows huge promise for the future of DC Comics films but for comic book-based films as a whole.

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