Walt Disney Pictures

Film Review: ‘Dark Phoenix’ Rises Above Typical Comic Book Action

CHICAGO – Leave it to Marvel Entertainment to produce another “marvel-ous” take on their angst-ridden superhero characters. The latest X-Men film, called the last of this series, is “Dark Phoenix,” and it contains comic book action that is unprecedented for its originality and sheer power. It’s another winner.

Film Review: ‘Aladdin’ Remake Doesn’t Live Up to Animated Source

CHICAGO – The Walt Disney Studio (cash) obsession with turning their animated film hits to live action movies continues this Memorial Day weekend with “Aladdin,” which adapts the 1992 classic. What worked in 2018 with “Beauty and the Beast” falls flat with this title, because the animated version plays better.

Film Review: Disneynature’s ‘Penguins’ in Flight with the Flightless

CHICAGO – It is the tenth anniversary of Disneynature, the arm of Walt Disney Pictures that releases a new nature doc around every Earth Day. This year the naturally visual interest of “Penguins” are their subject, and the film does a nice job on the life cycle journey of these fascinating flightless birds.

Oscar Week: Co-Directors Explain How ‘Ralph Breaks the Internet’

Ralph Breaks the Internet

CHICAGO – The Best Animated Film category at the 91st Academy Awards honor both these visual treats and their status in the new Golden Age. The visual density of today’s animation reaches a new height in a rare Walt Disney Studio sequel, “Ralph Breaks the Internet.” This is a follow-up to “Wreck-It Ralph,” a huge animated hit film. Returning to guide the sequel, which has Wreck-It Ralph “inside” the internet, are co-directors Phil Johnston and Rich Moore.

Podtalk: Co-Directors Explain How ‘Ralph Breaks the Internet’

CHICAGO – The visual density of today’s animation reaches a new height in a rare Walt Disney Studio sequel, “Ralph Breaks the Internet.” This is a follow-up to “Wreck-It Ralph,” a huge animated hit film. Returning to guide the sequel, which has Wreck-It Ralph “inside” the internet, are co-directors Phil Johnston and Rich Moore.

Film Review: ‘Incredibles 2’ is a Sequel That Returns for Fine Fun

CHICAGO – If you liked Pixar Animation’s original “The Incredibles” of 14 years ago, then you’ll find a lot to like with this sequel, which puts these “supers” back in their suits for another go around to save the world. The action in “Incredibles 2” picks up almost immediately after the original film left off.

Film Review: Story is Just a So-So for ‘Solo: A Star Wars Story’

CHICAGO – “Solo: A Star Wars Story” is one intergalactic space adventure that sadly never makes the jump to light speed. The end result Is not awful, it’s not great, it’s just kinda okay… it slavishly attends to the beats hinted at in the original trilogy without offering much in the way of surprises, or freshness.

Film Review: ‘A Wrinkle in Time’ Can’t Smooth Its Bizarre Fabric

CHICAGO – Although I am an admirer of Oprah Winfrey, it’s unfortunate that the best way to describe “A Wrinkle in Time” – with her role as goddess problem solver – is Worst. Episode. of. Oprah. Ever. The film, based on a novel from 1962, caves into effects over cohesiveness or story.

Film Review: ‘Cars 3’ Puts Series Franchise Back on Right Track

CHICAGO – The Cars movies continue to be the kiddieland of Pixar Animation franchises. Kids adore them, parents tolerate them. Unlike the best of Pixar’s output, the Cars films are lovingly crafted cartoons aimed squarely at kids with far more attention detail than the average fare you’d find scrolling through Netflix. The best that can be said is that “Cars 3” represents a considerable step up from “Cars 2”.

Film Review: Cut of Nostalgia in ‘Guardians of the Galaxy Vol. 2’

CHICAGO – When I first saw “Guardians of the Galaxy” I was unfamiliar with the comic book source. I enjoyed the film, but worried it might be just a little too nerdy and obscure to develop a following. Now with “Guardians of the Galaxy Vol. 2,” the series has solidified itself as the class clowns of the Marvel Studios cinematic universe, and it’s been embraced for it.

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  • Elizabeth Laidlaw

    CHICAGO – The recent limited series “The Red Line” on CBS-TV was notable for a couple elements – it was set in Chicago and it featured Chicago actors in major roles. Creators Caitlin Parrish and Erica Weiss (from here), cast their Chi-town colleague Elizabeth Laidlaw, who portrayed police officer “Vic” Renna.

  • 2019 Physical Theater Festival

    CHICAGO – The visual artistry of the stage is often due to the picture that is created through the physicality and movement of the actors. This is brought to light in the 6th annual Physical Theater Festival in Chicago, a cornucopia of international imagination generating theater through the physical realm. Co-founders/Artistic Directors Alice Da Cunha and Marc Frost created the fest, which runs from May 31st through June 9th, 2019, Stage 773 in the Belmont Avenue Theater District. All the Festival information – including tickets – can be found by clicking here.

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