Watergate

Film Review: 1970s Caper Film in Enjoyable ‘Finding Steve McQueen’

Finding Steve McQueen

CHICAGO – The “caper” film, AKA the heist film, is one of the old reliable genres in the movies, and usually involves a gang of mismatched thieves. “Finding Steve McQueen” goes all the way back to the 1970s to spotlight a based-on-truth burglary that involves Tricky Dick himself, President Richard M. Nixon.

Film News: DAY FIVE of 54th Chicago International Film Festival is ‘Can You Ever Forgive Me?’

Can You Ever Forgive Me?

CHICAGODAY FIVE of the 54th Chicago International Film Festival (CIFF) on Sunday, October 14th, 2018, is a day to introduce yourself to a new side of Melissa McCarthy in “Can You Forgive Me?, to make a date with “Watergate,” the remarkable four hour documentary about that American history, to hop on “The Band Wagon” and to remember a magazine-era icon, Chicago’s own Art Paul.

Film Review: ‘The Post’ Illuminates the Skills of Meryl Streep

CHICAGO – For all the films Meryl Streep is privileged to make – which is remarkable considering the industry’s attitude toward older actresses – she has even admitted that the audience may be tired of seeing her. But as publisher Katherine Graham in ‘The Post’, she nails yet another great performance.

Film Review: Cautionary ‘Mark Felt: The Man Who Brought Down the White House’

Mark Felt

CHICAGO – Everything old is new again, in the 1970s story of the infamous “Deep Throat” – the source in the FBI who tipped off the Washington Post about the issues surrounding Watergate scandal – who revealed himself in 2005. He is now the subject of a new film, and is portrayed by Liam Neeson, in “Mark Felt: The Man Who Brought Down the White House.”

Film Review: Searing ‘Last Days in Vietnam’ Documents Vital History

Last Days of Vietnam

CHICAGO – It has been nearly 40 years since the Vietnam War truly ended, with the desperate events during the Fall of Saigon. “Last Days in Vietnam” is a brilliant new documentary that puts it all in perspective, the final surreal folly of America’s nightmarish involvement in the Vietnam War. Director Rory Kennedy – the youngest daughter of Robert F. Kennedy – generates a precise and gripping document that lingers long after it has been experienced.

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