CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.
CHICAGO – “La La Land” has the spirit of an old time “Singin’ In The Rain”-type Hollywood musical, but this is no throwback or revival. It brings that spirit into the modern age and gets it to live, breathe, and thrive once again. It’s a beautiful technicolor spectacle that celebrates the whimsy of musicals, while finding a way to translate it credibly and wonderfully to the modern age.
CHICAGO – Bringing the musical movie genre back requires a bit of nostalgia, a nod to modernity and always old fashioned star power. Writer/director Damien Chazelle (“Whiplash”) combined all three to produce “La La Land,” with Emma Stone and Ryan Gosling as star-crossed lovers. Rosemarie DeWitt also has a featured role.
CHICAGO – The Bird was the word at the 87th Academy Awards, as the film “Birdman” won Best Picture and Alejandro González Iñárrittu won Best Director for the same film. The stellar broadcast was hosted by Neil Patrick Harris, and was highlighted by some passionate speeches and song performances.
CHICAGO – Oscar! Oscar! Oscar! Say it three times to win it, and you’ll win every Academy Award pool you enter – at least for the nine categories covered here – if you follow the advice of the HollywoodChicago.com “experts.” We have the Oscar magic, so if you believe in it, then we deliver.
CHICAGO – Just like every year before it, there were no perfect films in 2014. I do not see this as a negative thing - reaching for greatness is far more electrifying than the plateau of achieving it, as presented in a hustler’s opus like ‘Whiplash,” which specifically eschews applause after a drum solo that just may have been perfection.
CHICAGO – It’s that time of year to figure it out, as 2014 leaks away, and the film year follows suit. Whittling down a list to ten films, after hours of entertainment and provoking of thought, is a fool’s challenge at best. Then who better to do it than Patrick McDonald of HollywoodChicago.com.
CHICAGO – ‘Boyhood,’ director Richard Linklater’s story of a boy maturing from age 6 to age 18 – using the same actor over 12 years – was designated Best Picture by the Chicago Film Critics Association (CFCA) at a ceremony on December 15th, 2014.
CHICAGO – The best movies of 2014 were on display as the Chicago Film Critics Association (CFCA) announced their nominees in several categories of film excellence. Leading the pack was director Alejandro G. Inarritu’s “Birdman,” Wes Anderson’s “The Grand Budapest Hotel” and newcomer Damien Chazelle’s “Whiplash.” The best in each category will be announced on Monday, December 15th.
CHICAGO – When is the last time you had a bit of sweat after coming out of a movie? “Whiplash” will do that, and it contains not one action sequence or superhero, unless you consider J.K. Simmons as a sociopathic music guru a hero (he is in a way), and drumming as action (it is).
CHICAGO – Simply one of the best movies of 2014, “Whiplash” has a tone, energy and sensibility all its own. Damien Chazelle wrote and directed the story of a jazz drummer prodigy at a prestigious New York City music college, tortured by his tyrannical instructor. The drama is scintillating, in rhythm with the natural story flow.