CHICAGO – Put in a dash of crazy, add a dash of funny and you are defining “The Asylum,” a catch-all name for a couple of show events in Chicago, playing at The Apollo Theater Studio through February 23rd, 2017. Behind the scenes of these showcases is producer Michael Sanow, a Chicago theater veteran. For “The Asylum” information regarding the “Atypical Musical Comedy Show” (Tuesdays) and “Access Comedy” (Thursdays), click here.
CHICAGO – The familiar story of the “star crossed lovers” by William Shakespeare, “Romeo and Juliet,” has been given as many interpretations over the years as there are stars in the sky. The Lyric Opera of Chicago presents the operatic French version, with a bright and venerate staging.
CHICAGO – The romance of Mark Antony and Cleopatra, Queen of Egypt, has fascinated sensibilities for centuries. William Shakespeare, no slouch when it comes to cultural commentary, wrote his version of the pairing in “Antony and Cleopatra,” the latest in the Stratford (Ontario) Festival of High Definition cinema adaptations of Shakespeare’s plays. Chicagoan Gary Griffin directed the stage production, that was rendered to HD. The screenings of “Antony and Cleopatra” will take place on May 21st, 2015, in various movie theaters across the country, including Chicago.
CHICAGO – “Mend your speech a little, Lest it mar your fortunes…” is a fine piece of advice from the William Shakespeare play, “King Lear,” often cited as one of the greatest English language plays. Actor Colm Feore is the latest to portray the title role, which begins a film series by the Stratford Festival of Canada, to capture all of the Shakespeare plays.
Film Review: New ‘Romeo and Juliet’ is Almost Passable if You Haven’t Seen It, Unnecessary if You HaveSubmitted by HollywoodChicago.com on October 12, 2013 - 3:46pm
CHICAGO – When I walked out of my screening for 2013’s “Romeo and Juliet” with Hailee Steinfeld (Oscar nominated for “True Grit”) and London’s Douglas Booth (previously unknown to the U.S.), I had to remember that not everyone’s seen this story in one way or another.
CHICAGO – Laurence Olivier’s 1955 adaptation of William Shakespeare’s “Richard III” came on the heels of his other beloved film versions of the Bard and wasn’t as well-received. History has reassessed the film and realized that this easily one of Olivier’s greatest accomplishments. As he almost always was, he’s so committed to this iconic role that he makes it his own, never feeling like he’s making the obvious choices that so many other actors have over the years. Olivier’s “Richard III” is so completely his own and few actor/directors in history ever understood Shakespeare or this character so notably.
CHICAGO – I’ll never forget the moment I became a fan of Ralph Fiennes. It was while watching the behind-the-scenes documentary on the “Prince of Egypt” DVD. He was voicing the scene where his character, Ramses, shouts at Moses across the Red Sea. As he stood next to the mic, Fiennes’ entire body underwent a transformation, as if he were summoning a storm that coursed through his veins. He then let out the sort of howl that could easily part water.
CHICAGO – The plays of William Shakespeare, influencing culture and morality for over 400 years, continue to open themselves up to new interpretations and settings. Ralph Fiennes directs and stars in a film version adaptation of “Coriolanus,” set against the modern day machinations of politics and war.
CHICAGO – Roland Emmerich has been commonly mocked for his larger-than-life blockbusters that include “Godzilla,” “The Day After Tomorrow,” and “2012.” I would rather sit through a marathon of all three of those works back-to-back-to-back than suffer through “Anonymous” one more time. While those movies have undeniable flaws, they do so on a grand scale common with the words guilty pleasure. There’s absolutely nothing pleasurable about this self-serious and remarkably stupid drama.
CHICAGO – Risk-taking visionaries are always exciting to watch in action, even when their gambles don’t quite pay off. Yet while the recent projects tackled by Julie Taymor have sported great promise on paper, their externalized metaphors often work against the material she’s aiming to enhance. In her Beatles musical “Across the Universe,” soldiers were seen carrying the Statue of Liberty into Vietnam while singing, “She’s so heavy.”
CHICAGO – As movie animation domination continues, “Gnomeo and Juliet” throws its stone cap into the ring, and has a lively story that tweaks it source, while respecting its power. James McAvoy and Emily Blunt are the voices of the star-crossed lovers, with the addition of familiar vocals from Michael Caine and Ozzy Osbourne, among others.