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1950s

‘The Wife’ is Classic Drama & Relevant Social History

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – One of the more fascinating questions about civilization is ‘how much talent went unrealized because of time and place of birth?’ The patriarchy – which denied people of color and women for so long – often reduced fellow travelers into subservient roles. For example, there were women who were just known as “The Wife.”

‘Phantom Thread’ is Both Beautiful and Muddled

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – There is a certain beauty in human creation, and the fashion industry allows that we can be individual in the sense of our clothing choices. The perfection that those creators attend to is nicely defined in “Phantom Thread,” but as an exploration of their personal life, it is frustrating.

Two Stories Clash in Uneven ‘Rules Don’t Apply’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

Unexpected Lessons for the Student of ‘Indignation’

HollywoodChicago.com Oscarman rating: 4.5/5.0
Rating: 4.5/5.0

CHICAGO – America was a very different place in 1951, and there are very few people around to tell us about it. That is why reminders of the more confining social order that existed back then is necessary, and is expressed in the film “Indignation.” This is an adaptation of a recent Philip Roth novel, and he was able to articulate the era.

‘Hail, Caesar!’ is Coen Bros. Excellence for Movie Lovers

HollywoodChicago.com Oscarman rating: 5.0/5.0
Rating: 5.0/5.0

CHICAGO – Writer/directors Joel and Ethan Coen love the movies, and that love is magnificently played out in “Hail, Caesar!” As they riff on religion, geopolitics and 1950s morality, while wonderfully celebrating and spoofing an era in movies that will never be again, the Coens abide and deliver.

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