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1980s

Matthew McConaughey is All That Glitters in ‘Gold’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – The relish that Matthew McConaughey displays in creating his latest character in “Gold,” a Willy Loman-type mining exec who is looking for his biggest score, is most of the reason to experience the film. However, there isn’t exactly a motherlode when it comes to the story.

‘Everybody Wants Some!!’ Gets Lost in Misty Nostalgia

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – When the first strains of “My Sharona” by The Knack come out of the car speakers of a dude going to college in 1980, as “Everybody Wants Some!!” began, my do-you-remember-when sense tingled. The film’s story, unfortunately, could not match that feeling of nostalgia.

Philip Seymour Hoffman Lives Again in ‘God’s Pocket’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Watching Philip Seymour Hoffman perform, now that he has passed on, is a bittersweet reminder of his ability and power to embody his deeply felt characters. He does it again in one of his last roles, adding his special brand of acting to the messy story within the gritty noir drama, “God’s Pocket.”

‘Dallas Buyers Club’ is Highly Romanticized Yet Effective

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Matthew McConaughey’s performance as a 1980s-era HIV positive man in the drama “Dallas Buyers Club” is a gangbusters piece of acting. However, some highly exaggerated characters and soft soaping of reality creates a more gauzy romance of the situation than true grit.

Miscarriage of Justice Befalls ‘The Central Park Five’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – It takes a provocative subject to capture the attention of famous documentarian Ken Burns. There are few things more provocative than the story of “The Central Park Five.” Burns, his daughter Sarah Burns and son-in-law David McMahon were co-directors for this exploration of justice denied.

Whale of a Tale For Drew Barrymore in ‘Big Miracle’

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Whale of a tale (chuckle), no other headline writer has thought of that. “Big Miracle” is a family movie with Drew Barrymore, John Krasinski, Kristen Bell, Ted Danson and the voice of Ronald Reagan, that will not have adults seeking the emergency exits. It’s about whales.

Topher Grace Goes to 1980s in ‘Take Me Home Tonight’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Nostalgia films need a couple of elements to make them work. First, instant recognition with the era, and second, a reason to go there. “Take Me Home Tonight” lacks both characteristics, and lead actor Topher Grace can’t seem to light a fire under the rest of it.

‘The House of the Devil’ is a Trip Back in Suspense Horror

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – Halloween is the perfect time to revisit those horror films of youth, lost in the mall theaters or crackling through the VCR in a multiply rented copy. “The House of the Devil” reveres those roots and brings them back to light.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Adam West, LIFE Magazine

    CHICAGO – As they say about Adam West’s interpretation of Batman, “he hit so hard, that words describing the impact appeared out of thin air.” But there was more to him than just the superhero tights, as Patrick McDonald, Spike Walters and Jon Espino of HollywoodChicago.com remember the three main characters in the career of Adam West, who passed away last week.

  • Jeff Awards, 2017

    CHICAGO – The 44th edition of the Non-Equity Jeff Awards were given out on June 5th, 2017, at what insiders call “the theater prom.” The event honors the non-union smaller or “storefront” theater companies, and their efforts to produce quality stage work. Hosted in grand style by Alexis Roston and Lillian Castillo, the recipients of the top play was “At the Table” by the Broken Nose Theatre and top musical was “High Fidelity” by the Refuge Theatre Project.

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