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20th Century Fox

‘Assassin’s Creed’ Has Odd Breeding for a Movie

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – I’m not a gamer, but of course I’ve heard about “Assassin’s Creed.” The film based on the video game is a wild and undisciplined attempt to expand that particular universe, but does succeed in creating an oddball science fiction that has implications in geo-religious power and control.

Brainiac Fulfillment is the Key to ‘Hidden Figures’

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – In America, there is the history we have, and the history that we want to have happened. “Hidden Figures” falls into the second category, but it’s presented in such a way that it fulfills the goal – tell an amazing story about a group of African American women who helped launch men into space.

Two Stories Clash in Uneven ‘Rules Don’t Apply’

HollywoodChicago.com Oscarman rating: 3.0/5.0
Rating: 3.0/5.0

CHICAGO – Movie icon Warren Beatty had wanted to make a film about 20th Century billionaire Howard Hughes for close to 40 years. On the heels of Martin Scorsese’s “The Aviator,” Beatty has written, directed and portrays Hughes in “Rules Don’t Apply,” and has created a strange farce about the mogul and a romance tale around him.

‘Trolls’ is Catchier Than it Has a Right to Be

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – “Trolls” isn’t the type of confection that I would normally subject myself to, but at least it didn’t make me want to stick knitting needles in my ears. That’s because “Trolls” aspires to be this season’s “Frozen,” a full blown animated musical jam packed with songs you can’t get out of your head as much as you might try.

No Need to Bother ‘Keeping Up with the Joneses’

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – “Keeping Up With The Joneses” illustrates how hard it really is to make a funny action comedy. After watching this, I have begun to think that the ones that work are something of anomaly – more often than not they’re like this. An amiable but aimless project that can’t quite grasp what it wants to be and doesn’t have the vision or the laughs to sustain itself.

‘Morgan’ Takes Out Intelligence in Artificial Intelligence

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – There is nothing like the feeling of watching a completely immersive sci-fi film that delivers the complexity of technology in a modest package, and uses elements of nature to create a beautiful contrast. Unfortunately, “Morgan” doesn’t deliver on the enlightenment it promises.

‘X-Men: Apocalypse’ is a Marvel Entertainment Gem


Rating: 4.5/5.0

CHICAGO – In doing “comic book” movies right, Marvel Entertainment has established a formula of decent back stories, complex villainy and probable scenarios. In continuing to tell a history of the second half of the 20th Century in “X-Men Apocalypse,” they also add a historical parallel universe that works.

‘Eddie the Eagle’ is Predictable But Pleasant Tale

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – “Eddie The Eagle” is thoroughly predictable underdog story, but this picture won me over with a plucky persistence fitting for its peculiar protagonist. It’s an admittedly minor but mostly true tale of an oddball outsider overcoming overwhelming odds.

Anti-Heroism of ‘Deadpool’ Revels in Sass & Violence

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – It was inevitable that we would get an “R-rated” superhero movie, and “Deadpool” fits the bill with its swears, violence and a little sex/nudity. It also has Ryan Reynolds as that hero, doing his “Van Wilder” smarmy act to the nth degree. How that all works will determine how you like the film.

‘The Peanuts Movie’ Honors Legacy of Charlie Brown

HollywoodChicago.com Oscarman rating: 3.5/5.0
Rating: 3.5/5.0

CHICAGO – They didn’t screw it up, and that is good. Eschewing modern conventions or typical animation pop culture jokes, “The Peanuts Movie” honors its source (Charlie Brown and the gang) and its creator, Charles M. Schultz, in a joyous and nostalgic celebration.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Kid Thing, The

    CHICAGO – Like the awesome Engine Who Could, the mighty Nothing Without a Company stage crafters have constructed another triumph at their new home in Berger Mansion on Chicago’s north side. “The Kid Thing” – written by Sarah Gubbins – is a terse, convincing and emotional play about fear, identity and breeding, and it is performed by its cast of five with utter authenticity. The show has a Thursday-Sunday run at the Berger North Mansion through April 15th, 2017. Click here for more details, including ticket information.

  • Wiz, The

    CHICAGO – When stage theater can cause outbreaks of elation, celebration and joy, then it must be due to Kokandy Productions’ revival of “The Wiz.” The urban reinterpretation of “The Wizard of Oz” story – told through tuneful euphoria and jubilant dance – is ecstatically produced, in every morsel of its stagecraft.

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