CHICAGO – When faced with adversity, the best way around it is to somehow break into song. That is the feeling behind the Brown Paper Box Co.’s “Positively Present: An Uplifting Cabaret,” running April 7th and 8th at Mary’s Attic in Chicago’s Andersonville neighborhood. The event features company member Kristi Szczepanek as host, and presents song stylings by other company members, including Anna Schutz, plus some special guests. For details and ticket information, click here.
It’s Been ‘A Hard Day’s Night’ Then, Now & Forever
CHICAGO – If you are lucky enough to have the 50th Anniversary edition of “A Hard Day’s Night” playing in your area, drop everything and go see it, especially if you’ve never seen it before. The Beatles – John Lennon, Paul McCartney, George Harrison and Ringo Starr – are ageless and timeless in a new print restoration and sound remastering of their 1964 debut film.
There is no way to describe the luck and timing of the music phenomenon called “The Beatles.” They were four guys in a rock band, but they virtually influenced everything the 1960s had to offer, due to the perfect moment they entered the arena and fired their creativity into the mass production era of record albums and baby boomers. Their first film was a coming together of the right screenwriter (Alun Owen) and the perfect director (Richard Lester), who captured a zeitgeist as it was happening and interpreted it for the ages. The boys themselves, who had never acted before, create a rock music Marx Brothers-style romp, both anarchistic and damn funny. Nothing was the same after “A Hard Day’s Night” regarding rock ‘n roll movies, and nothing reached its giddy heights for cultural impact since. As was said back in the day, it was “ … the Citizen Kane of jukebox musicals.”
The film follows a typical day for the lads from Liverpool – The Beatles. After avoiding a hysterical mob of screaming fans, John (John Lennon), Paul (Paul McCartney), George (George Harrison) and Ringo (Ringo Starr) take a train to their next destination, a TV appearance in London. Their antics exasperate their manager and roadie, Norm (Norman Rossington) and Shake (John Junkin).
They’re Coming! The Beatles in ‘A Hard Day’s Night’
Photo credit: Janus Films
To make matters worse, Paul’s grandfather Jim (Wilfred Brambell) is along for the ride, and he cooks up various schemes so he can live the high life. During rehearsals for the TV show, he forges their autographs, to sell the photos to the masses. The Beatles themselves just want to get away it from it all, and Ringo succeeds in running away from the show, which freaks out the director (Vincent Spinetti). Paul’s grandfather is arrested for selling the pictures, Ringo is arrested as a vagrant, and the rest the boys have to spring them just in time for the big show.
The comedy in the film is hysterical, part satire and part silliness. That would be good enough for most, but the soundtrack – remastered by Giles Martin, the son of original producer George Martin – is simply spectacular. From the opening chord of the title song, to the bright “I Should Have Known Better,” the sublime “If I Fell,” the happy “Can’t Buy Me Love” and the romantic “And I Love Her,” among all the others, is possibly the best soundtrack of any rock musical.
The devil was in the details for the success of “A Hard Days Night,” and director Richard Lester – who had made his reputation as the auteur of the Academy Award nominated short, “The Running Jumping & Standing Still Film” – used a radical cinéma vérité style to capture the story, giving it an energy that hadn’t been seen in that type of film. Wilfred Brambell, Paul’s grandfather, was already a TV star in Britain, and contributes the necessary absurdity in contrast to the new young actors.
It’s a bit strange to experience the film today, considering what subsequently happened to John, Paul, George and Ringo separately. It’s a sad reminder that John and George are no longer with us, and their performances are focused on a bit more because of that fact. John, for example, seems like a ghost hovering over the proceedings, and of course is the subject of the classic final line. George is perfect in his key scene, and Ringo liked doing the film so much he had a pretty good career as an actor afterward. Paul is asked to do some heavy lifting as his grandfather’s keeper, and actually has most of the weird emotions associated with it, including threatening their management team with physical violence. I hope he still enjoys the film.
Very Clean: Paul’s Grandfather (Wilfred Brambell) and John Lennon in ‘A Hard Day’s Night’
Photo credit: Janus Films
As a second generation Beatles admirer, I saw the film during its 1982 release – on which the producers stuck a prologue that Richard Lester hadn’t approved – and at the 20th, 25th, 30th, 35th, 40th, etc. anniversaries. “A Hard Day’s Night” never gets old, only I do. In fact, after the current screening, so magnificent, I thought to myself, “youth is fleeting!” – but great movies stay the same forever, and this film was part of the evolution revolution.
This was The Beatles before fame forced them to stop touring, before the break-up, before the shots on a New York City street, before “All Those Years Ago,” before disease, old age and more passings. “…And when I get home to you, I find the things that you do, we’ll make me feel all right. You know I feel all right.”