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Aaron Taylor-Johnson

‘Nocturnal Animals’ Takes Two Stories to New Levels

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGO – Reality and fantasy have separate rules, and in fantasy there are no rules. This is the philosophy of “Nocturnal Animals,” a wild character study that exists on the reality/fantasy planes. And it has the bonus of the Amy Adams/Isla Fisher mix-up and Jake Gyllenhaal at his Gyllenhaal-iest.

Rousing ‘Avengers: Age of Ultron’ Hits Modern Society’s Central Nervous System

HollywoodChicago.com Oscarman rating: 4.0/5.0
Rating: 4.0/5.0

CHICAGOLook. We all know sequels usually suck. And blockbuster films often get panned for overprioritizing special effects at the expense of a well-written story and character development. Even when a story in a big-budget film is redeeming, it’s practically impossible not to shoot holes through it.

Hollywood’s ‘Godzilla’ Misses, Mocks Ishirô Honda’s Main Warning Message

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Except for the clear purpose of cashing in on yet another “Godzilla” remake, everything is happening for no reason. Worst of all, what is ensuing misses and even mocks the reason why Ishirô Honda originated 1954’s “Godzilla” in the first place.

‘Godzilla’ Just Goes Where He Has Gone Before

HollywoodChicago.com Oscarman rating: 2.0/5.0
Rating: 2.0/5.0

CHICAGO – I did not like “Godzilla.” That sentence alone might make my review interesting enough to attract some initial attention. But despite that, and despite the fact that I’m a sucker for pretty much giant anything if it stomps a city, I’m holding fast to this judgment.

Disappointing ‘Kick-Ass 2’ Replaces Style with Vulgarity

HollywoodChicago.com Oscarman rating: 1.5/5.0
Rating: 1.5/5.0

CHICAGO – More vulgar, violent, and generally vile than the first film, “Kick-Ass 2” is one of those incredibly annoying films that actually will mar the legacy of its predecessor by association. Writer/director Jeff Wadlow entirely misplaces the priorities of the first film, thinking that the sequel needs to be more extreme, even if that’s at the expense of style and intelligence.

Brilliant Staging Bolsters Emotionally Hollow ‘Anna Karenina’

HollywoodChicago.com Oscarman rating: 2.5/5.0
Rating: 2.5/5.0

CHICAGO – Though cinema is first and foremost a visual medium, too many modern directors have become prone to using it as a stage for long-winded exposition. No matter how polished the lensing is in a film like David Fincher’s “Girl With the Dragon Tattoo” remake, the picture basically amounts to a series of dense dialogue passages interrupted by violence.

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TV, DVD, BLU-RAY & THEATER REVIEWS

  • Speech & Debate (stage play)

    CHICAGO – “Speech & Debate,” the latest production from the mighty Brown Paper Box Company, continues their tradition of thinking outside that “box” in presenting storefront theater that makes a statement and a difference. “Speech” goes inside America by showcasing the outsiders… those who create art because they can’t get it right in real life. This non-equity Chicago stage play premiere is finely tuned and wonderfully acted, and runs through March 4th, 2018. Click here for more details, including ticket information.

  • We're Gonna Be Okay

    CHICAGO – The 1960s were a time of historical social transition. The movements – civil rights, feminist, gay rights – all had roots in that tumultuous decade. The Chicago premiere of Basil Kreimendahl’s “We’re Gonna Be Okay” echoes all of those movements in its characters, and collides them against the October 1962 Cuban Missile Crisis. The show has a Thursday-Sunday run at the American Theater Company through March 4th, 2018. Click here for more details, including ticket information.

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